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"caries"

"caries"
Photography: Takaya Sakano
"caries"

Takuya Yokoyama x Misaki Setoyama's powerful tag team, and a dense absurd drama woven by a talented cast of six men.

Performance schedule 2024/02/10 (Sat) ~ 2024/03/03 (Sun)
Venue Theatre tram
Performance time About 1 hour 45 minutes (no break)
Lobby opens: 45 minutes before the performance, audience seats open: 30 minutes before the performance
Prices generally:
7,500 yen Tram seat 6,500 yen
Release date generally:
2023/12/10 (Sun) ~
Setagaya Public Theatre Ticket Centre
03-5432-1515
Business hours: 10:00-19:00 (excluding year-end and New Year holidays)
Download

opening comment

the stage photoplease use this form.

Takuya Yokoyama (Author)

What I found most ``absurd'' when I was writing this work was that I couldn't see the history of the characters at all. Do these people really exist here? Thank you to all the six actors who breathed life into characters with few clues. I am also deeply grateful to Mr. Setoyama, the director, who persevered with the revision process and made it possible for the play to be staged, although I had to make major changes to the script in the wake of the Noto Peninsula Earthquake. It's amazing how it accurately looks at the distance between reality and the work, and still provides entertainment.

 

Misaki Setoyama (director)

We explored Yokoyama's ambitious play with all the actors. Mr. Yokoyama's world is a little mysterious, a little cruel, and a little gentle. I think we were able to find many veins of minerals together. We have created this project by paying close attention to actual events and confirming where we stand. Now that the opening day has arrived, I once again feel that there are things we can talk about because it's a play. I think this work is interesting when you understand it, and interesting even when you don't understand it. Please enjoy the performance of all the actors with their unique personalities.

 

Ryuta Bando (kito) role)

First of all, I would like to thank you for making it to this day safely.
I have never spent so much time thinking about and facing a play.
I think I was able to come this far with the support of the wonderful cast and staff.
I am acting seriously and using my heart.
I'll do my best to convey that to everyone who watches it, so I'd appreciate your continued support.
Stay excited!

 

Kondo Park (Kamo role)

The days when we all struggled with the work, saying, ``It's not like that, not like that!'' were really intense, and many times I felt excited and thought, ``This is theater!'' I believe that that kind of passion was essential to perform this absurd work at this time, and I believe that there is a certain power in the play that they worked so hard to create. Every day, I hope to be able to perform on stage and pass on to the audience the ``something'' that is contained in this work.

 

Keinaga Tsuna (Kenmochi role)

I am now filled with excitement and relief as I was able to safely celebrate my first day.
From the first day of practice to the end, it was a truly luxurious time for me, and I am truly enjoying the fulfillment that has come so far.
Mr. Yokoyama wrote the role for me, and Mr. Setoyama carefully directed the role of Kenmochi, and I will perform it with all my heart until the very end.
Without forgetting my gratitude to everyone at the company, to all the fans, and to everyone who watches the play at the theater, I will rush forward to Senagiraku.
A manly world of caries created by six men.
I would be happy if the people who watched the play would take something important away from it, keeping in mind the meaning of performing this play at this particular time.
Thank you for your support!

 

Masana Bokuzo (Kurume role)

What did you think……?
I would like to hear your thoughts and opinions from each and every one of you.
What did you think……?
Of course, the subject is not "I" but "we." As each of the lines written by Mr. Yokoyama was brought to life through repeated discussions with Mr. Setoyama and others, there was a point where I was involved in this work beyond the role of an actor. Perhaps this is why I want to be involved with customers in a way that transcends boundaries. It may be annoying though.
What did you think……?

 

Shinya Niino (Neda role)

A realistic mountain of rubble that is reflected on the box called TV every day.
When the box on the stage opens, it appears to be a pile of rubble.
A fictional world inside a box where you don't know if it's real or not.
We convey the reality from the fictional world inside this box.
This work was unexpectedly performed at this timing, but I think that the audience will be able to feel it more vividly because it is now.
As the curtain opens on the first day, I'm worried about how the audience will feel about it, but I believe in what theater can do now, and I want to perform delicately every day. Send your thoughts to the affected areas.

 

Kazuyuki Aijima (as Sasakizaki)

The rehearsal period made me realize once again how difficult and interesting it is to create theater, and that theater is something that is created by everyone, not just one person. A play that we start in the rehearsal room is finally completed as a play when it is performed in front of an audience at the theater. If you think about it, there were some plays that were performed without an audience during the coronavirus pandemic, which is not what they should have been. That's why I'm so happy that everyone can see it like this. We would be happy if you could enjoy the intense space unique to the tram with us. Thank you for today.

Overview

Takuya Yokoyama x Misaki Setoyama's powerful tag team creates an absurd drama for men only.

Known for his dramatizations that focus on dialogue, depicting the conflicts between people with different positions and circumstances.Yokoyama TakuyaHe is one of the most active playwrights and directors today, working in a wide range of fields from public theater to commercial theater.Misaki Setoyama.Together, they have won numerous theater awards and continue to make rapid progress in the theatrical world.The powerful tag team has finally come to fruition, and a dense performance by six men based on the motifs of the works of Franz Kafka, Samuel Beckett, and Minoru Betsuyaku. Launch an absurd drama.

 

Competition of 6 talented actors

We have a talented cast of performers.
Received the New Actor Award at the 32nd Japan Film Critics Award for his first starring movie, and has continued to appear in movies and television.Ryota Bando,
Appeared in the works of many directors and flexibly performed a wide range of rolesKondo Koen,
Appearing in topical distribution programs and TV dramas, attracting attentionKeito Tsuna,
A great supporting player who plays a wide range of characters from eccentric characters to calm and collected characters.Bokuzo Masana,
Expanding his activities not only in musicals and straight plays but also in television such as Taiga dramasShinya Niiro,
From serious roles to comical thirds, mysterious characters, etc., he is active in multiple stages, TV dramas, and movies.Kazuyuki Aijima.

Please look forward to the condensed dialogue drama unique to the Theater Tram space.

Synopsis

Konoshima used to be a small fishing village, a shrine called Zuikoin where the sunflowers bloom beautifully, and a modest hot spring by the sea, but 25 years ago, during resort development, strangely designed hotels and hot spring facilities were built. The situation has changed considerably, with the establishment of regular ferry services with the mainland.
Although this may not be directly related, Kono Island was attacked by cavities, which caused many parts of the island to cave in and swallow many people.
It is unclear who first called this ground subsidence-like phenomenon ``caries,'' but it creates holes in the ground, much like cavities that slowly erode.
There are dentists gathered to help identify the victims. Neda (Shinya Niino), who moved to Kono Island and opened a dental clinic; Kamo (Kondo Koen), a very particular dentist who came from the mainland; and Kito (Ryuta Bando), who was taken care of by Kamo during clinical training. ) 3 people. Just as they were about to use dental treatment records to compare the condition of the victim's teeth, the second cavity appeared. Even morgues and evacuation centers will be submerged. There was also the risk of not knowing when the next ``cavity attack'' would occur, so an island-wide evacuation order was issued for Kono Island.
Dentists who choose to stay here believe that their work is not yet finished. There, Sasakizaki (Kazuyuki Aijima), a government official, and Kenmochi (Tsuna Hironaga), a flamboyant dentist who can no longer stand still after hearing the news of his second cavity, are there. They come to Kono Island from the mainland.
Without the civil engineering workers coming to dig up the earth and sand, there is nothing they can do right now. However, no matter how hard the workers waited, they never came. A man named Kurume (real name Bokuzo) appears, wearing a white coat suggestively. he says. "There are people mixed in here who shouldn't be here."


[About changes to the synopsis]

We would like to express our deepest condolences to those who lost their lives in the Noto Peninsula Earthquake of 6, and extend our deepest sympathies to those affected by the disaster.

``Caries'' was originally set on an island that had been hit by a natural disaster and was buried in sand, and we have written that in the synopsis on our website and flyers. However, due to the Noto Peninsula Earthquake, we have decided to discuss whether to perform this work, which contains expressions and content reminiscent of disasters. As a result, we decided to re-examine the play and perform it while keeping the original roots of the work intact. Please note that the synopsis has also been changed.

The cast and staff are working together to create a work that is close to those affected by the disaster. I hope that through this work, you can experience the feeling of being in touch with the disaster-stricken areas even just a little bit.

Additionally, a donation box for the 6 Noto Peninsula Earthquake Disaster Relief Fund will be set up in the theater tram lobby. The donated funds will be delivered to the affected areas.

 

Comments from writers, directors and performers

Takuya Yokoyama (Author)

I thought that preparing for writing was a solitary task, so this time, it was very refreshing to have repeated meetings to decide the starting point of the work with director Setoyama and artistic director Shirai. It was a thrilling time to build.It's surprising that it became "absurd", and I feel like I've been given approval that I can do something completely different from what I've written so far.Come to think of it, when I was in my first year at university, when I wrote a dialogue novel and presented it in class, I remember being told by a classmate, "It looks like Minoru Betsuyaku!"I don't remember anything about my handwriting at that time, but I do remember that I simply enjoyed writing. I myself would like to enjoy what kind of absurd drama "Caries" will be.

Misaki Setoyama (director)

We will take on the challenge of creating a strange and strange story drawn by Mr. Yokoyama with six very attractive actors.The other day, I held a workshop where everyone and I read Mr. Yokoyama's past scripts and tried them out, and while it was thrilling, it was also an exciting time that kept us laughing.Are you serious or are you joking?They are wonderful actors who can walk on a fine line with ease.Each person's individuality stood out, and no matter who they teamed up with, there was always something new and surprising, which made me really look forward to rehearsals.We will guide you into the chaos of 6 people.Please stay tuned.

Ryota Bando

It's been five years since I've performed and it's my second time on stage, so I'm nervous now, but I want to do my best.
It will be my first time working with the playwright Yokoyama-san and the director Setoyama-san.I once had a workshop with all the cast, and everyone's plays were so interesting and interesting...!I'm very excited about what kind of script will be already written and what kind of stage we can create with everyone.
This will be my second co-star with Tsuna-kun, who is of the same generation as me, so I'm looking forward to working with him.
I want to do my best not to be overwhelmed by the big seniors, and I want to enjoy it purely.
Everyone, please look forward to next year!

Kondo Koen

I have always been fascinated by plays by only a few men.In a prefabricated hut, with canned juice and cigarette smoke, and a slight smell of sweat, I'm always at a loss.It's easy, frankly.I feel like I can quickly throw away my shame without hesitation than usual.
At the workshop that was held the other day, it was really interesting to see Takuya Yokoyama's lines written by him, and I was told that he would be writing a line play based on an absurd worldview, so I'm really looking forward to it.And how will Misaki Setoyama, who has a wonderful sense of style, watch over and guide the play of the boys (the majority of whom are middle-aged and the age difference of parents and children aside) who have been active in different places?I'm excited now.

Keito Tsuna

This time, I will be appearing on the stage "caries"!
It's been a long time since I've performed on stage, so I'm already nervous, but I'm full of excitement.
There are talented seniors in the cast around me, and I met them once during a workshop for this performance, and they were really kind and friendly. , I think it would be nice if I could absorb a lot of things here and put my own color on it.
I think the most appealing thing about a stage performance is that we rehearse it over and over again, finish it, and then be able to directly show it to the audience.I think there are things that can't be conveyed through the screen, but can only be conveyed live, so I want to make it a wonderful stage period with effort and passion.
Also, I'm really happy to be able to play with (Bando) Ryota, who will be co-starring for the second time.
Please look forward to it!

Bokuzo Masana

“Caries” is a medical term for tooth decay.I definitely thought it was a coined word for this work.With that misunderstanding, when I look at the character for “dental caries,” the hiragana letter “u” begins to look like a mysterious and disturbing creature, and I terribly imagine scenes of people being eaten away by the “u.” However, when I learned that it was a proper medical term, I understood that it was a title that was in line with the plot.However, the uneasiness of "U" still remains. "Caries" is a somewhat scary title.And since the title already contains Mr. Yokoyama and Mr. Setoyama's intentions, it's scary to realize that.What kind of stage will it be?looking forward to.

Shinya Niiro

When I received the offer for this work, nothing had been decided yet.
It was just "Written by Takuya Yokoyama, directed by Misaki Setoyama, 6 men, tram".I didn't know the content or the role at all, but I felt like my fingers were moving and I immediately accepted the offer.
After that, there was a meeting named "Workshop".A writer, a director, and six actors get together to act out a short script.Perhaps this is for the writer and director to see the character of the actor as they draw the work.It seemed to me that they were starting to create works very carefully.And the chemistry with these six people was already very interesting in those few hours!We are six people who are calm but have strong quirks (laughs).It ended while I was laughing out loud, but what did Mr. Yokoyama see?What kind of world has spread in Mr. Setoyama's brain?I think that the work is created in a way that is close to the idea.At this stage, I can't even imagine what kind of work will be completed, but the performance of my "food finger" mentioned above has been good recently! (lol)
I'm sure you'll be able to deliver wonderful works!Please come to the theater!

Kazuyuki Aijima

A play with only 6 men.Moreover, if you notice it, it has become full of songwriters. He did a workshop once with these 1 people, and that's interesting.The men can challenge Takuya Yokoyama's new play.What a call!As an actor, there is nothing more honorable than a title.Misaki Setoyama directs it.Even during the workshop, he guided us actors with sharp and harsh words while laughing.In the first place, the title "caries" is a mystery.I wonder if it's a scary story.I wonder if it's a funny story.Ah, what kind of stage will it be?First of all, Aijima is more excited than the customer.

Cast staff

[Written by] Takuya Yokoyama
[Direction] Misaki Setoyama
[Appearance] Ryota Bando Koen Kondo Keito Tsuna /Bokuzo Masana Shinya Niiro / Kazuyuki Aijima

[Art] Yukio Horio
[Lighting] Shigeo Saito
[Sound] Masahiro Inoue
[Costume] Ayuko Takagi 
[Hair and makeup] Miyuki Taiho
[Director's Assistant] Sudo Kie
[Stage Director] Naoaki Tanaka

[Advertising art] Chiaki Aizawa
[Publicity photo] Takaya Sakano

[Setagaya Public Theater Artistic Director] Akira Shirai

Schedule

2024/02/10 (Sat) ~ 2024/03/03 (Sun)

2/10
(Sat)
2/11
(Sunday/holiday)
2/12
(Mon/Holiday)
2/13
(Tue)
2/14
(Wed)
2/15
(Thu)
2/16
(Fri)
14:00
Additional performances
18:30
2/17
(Sat)
2/18
(Sun)
2/19
(Mon)
2/20
(Tue)
2/21
(Wed)
2/22
(Thu)
2/23
(Friday / holiday)
14:00
18:30
2/24
(Sat)
2/25
(Sun)
2/26
(Mon)
2/27
(Tue)
2/28
(Wed)
2/29
(Thu)
3/1
(Fri)
14:00
Additional performances
18:30
3/2
(Sat)
3/3
(Sun)
14:00
18:30
Curtain
Time
14:0018:30
2/10
(Sat)
2/11
(Sunday/holiday)
2/12
(Mon/Holiday)
2/13
(Tue)
2/14
(Wed)
2/15
(Thu)
2/16
(Fri)

Additional performances
2/17
(Sat)
2/18
(Sun)
2/19
(Mon)
2/20
(Tue)
2/21
(Wed)
2/22
(Thu)
2/23
(Friday / holiday)
2/24
(Sat)
2/25
(Sun)
2/26
(Mon)
2/27
(Tue)
2/28
(Wed)
2/29
(Thu)

Additional performances
3/1
(Fri)
3/2
(Sat)
3/3
(Sun)

△=Cameras will be in the audience seats for recording

◎=There will be a post-performance talk
2/20 (Tue) 18:30
Takuya Yokoyama Misaki Setoyama Akira Shirai (Artistic Director of Setagaya Public Theater)

ticket

All seats specified
General
Prices
7,500 yen Tram seat 6,500 yen
Release date
2023/12/10 (Sun) 10:00~
High school students and younger
Prices
3,750 yen Tram seat 3,250 yen
*Certificate required on the day
*Only available at Setagaya Public Theater Ticket Center and online tickets.
Release date
2023/12/10 (Sun) 10:00~
Membership priority, discounts, etc.
Tomonokai member
Prices
7,000 yen Tram seat 6,000 yen
*Handling only in advance
Release date
▼Primary advance (Web lottery)
Entry period: 2023/12/01 (Fri) 10:00 to 12/05 (Tue) 23:59
*For the first round of Tomo no Kai, those who have applied to join the Tomo no Kai and paid their membership fees by 2023:11 on Friday, November 24, 23 are eligible.
▼Secondary advance (first-come-first-served basis)
2023/12/09 (Sat) 10:00~
*The Tomo no Kai second advance ticket is available to those who have applied to join the Tomo no Kai and paid the membership fee by 2023:12 on 01/23/59 (Friday).
* High school students and younger can purchase from the second advance.
Setagaya Public Theater Online Ticket Members
Prices
7,500 yen Tram seat 6,500 yen
Release date
2023/12/09 (Saturday) 10:00- (first-come-first-served basis)
*High school students and younger can also purchase.
U24 member
Prices
3,750 yen Tram seat 3,250 yen
*Handling only in advance
Release date
2023/12/09 (Saturday) 10:00- (first-come-first-served basis)
*This service is provided by Toyota Motor Corporation.
Setagaya Arts Card Members
Prices
7,200 yen Tram seat 6,200 yen
*Handling only in advance
Release date
2023/12/09 (Saturday) 10:00- (first-come-first-served basis)
*High school students and younger can also purchase.
Same-day ticket information

The day before each performance of "Caries", we will accept online orders for "numbered tickets for same-day ticket purchase" using the method below.

 

■Online Reception Time: From 10:00 AM the day before each performance until two hours before the show begins.(First-come, first-served basis; available only via the theater's online ticket service)
■Ticket Limit: One ticket per person per performance.

*The reservation must be made by the person who will attend the performance. We do not accept proxy reservations for ticket purchase or entry.
*Reception is on a first-come, first-served basis.
*Reception will end when the planned number of tickets is reached.
*A numbered ticket does not guarantee ticket purchase. Please note that you may not be able to purchase tickets even if you have a numbered ticket.
*There are no member discounts (Theater Friends Association/Arts Card/U24) for same-day tickets.
*Entry by anyone other than the person who made the reservation will not be allowed.

Ticket price :
General 7,500 yen
High school students and younger 3,750 yen

Tram Seat
General 6,500 yen
High school students and under: 3,250 yen
*Tram seats are not actual seats. It is a semi-standing space where you lean against a bar attached to the back wall of the seating area.

■Online Reception for "Same-Day Ticket Purchase Vouchers"please use this form.(Setagaya Public Theater Online Ticket)*Membership registration required

 

[For Those Who Reserved a "Same-Day Ticket Purchase Voucher"]

① Please issue a numbered ticket at a 7-Eleven in advance and come to the theater.
②The person who reserved the numbered ticket must come to the Theater Tram lobby by the designated meeting time. We will refuse entry to anyone other than the person in question.
③ Seat numbers will be provided to you on the day of the performance when you purchase them at the theater. It is not possible to specify seat type or seat position. There is a possibility that you will be given a seat other than the main seat or tram seat.
④Please bring your own photo ID for identity verification. Without a photo ID, you will not be able to purchase a ticket.
⑤Pay the ticket fee in cash and receive your ticket before entering.
*Please note that only cash is accepted.
*We cannot answer inquiries regarding the number of tickets available for same-day purchase.
⑥ There will be no direct sales to theaters without online reservations.

*Acceptable Photo IDs (please bring one of the following)
Driver’s License/Passport/Residence Card or Special Permanent Resident Certificate/Photo-equipped Basic Resident Registration Card/My Number Card (Individual Number Card)/Photo-equipped Student ID/Disability Certificate (Physical, Mental, or Rehabilitation)

 

Ticket agency information

Setagaya Public Theatre Online Ticket
Setagaya Public Theatre Ticket Centre
03-5432-1515 (10:00-19:00, except year-end and New Year holidays) https://setagaya-pt.jp/membership/booth/
Ticket Pia
P code: 523-089 https://t.pia.jp/
eplus
Lawson Ticket
L code: 34648 https://l-tike.com/
Confetti

Other notes

About tickets and seats

*Preschool children are not allowed to enter.
*We may not be able to guide you to your original seat after the performance.note that.
*The shape of the seats is different from normal seats, such as a part of the stage extending out.

*The tram seat is a semi-standing space that leans against the bar attached to the wall at the rear of the passenger seat.
*Tram seats will be on sale from 12:10 on Sunday, December 10th, including various discounts.

*The seating chart isplease use this form.

About number limit

* Up to 1 tickets per performance per seat type per application

About various membership systems

*Registration takes time, so please complete the membership application well in advance.
*How to join each memberplease use this form. for more information.

About purchasing at the Setagaya Public Theater Ticket Center

*On the first day of sale, phone (and online tickets) only.If there are any seats remaining, they will be sold at the counter after the day of general sale.
* When purchasing tickets, we will ask for your contact information (phone number).In that case, please be sure to tell us what you can contact during the day.

Appreciation support

Childcare service

Childcare services are basically available for performances where advance tickets are sold.
Due to the limited number of seats available, reservations are required.

Prices 2,200 Yen(per person)
Target Over 6 months old and under 9 years old
application Setagaya Public Theatre 
TEL 03-5432-1526
Consignment Kids Room Tinker Bell Sancha

Reservations will be accepted until noon three days before the desired date of use, but will be closed as soon as the capacity is reached.
Please make your reservation as soon as possible.
In addition, please consult about children with disabilities.

Wheelchair space

There is a wheelchair space where you can watch the theater while in a wheelchair.
Due to the limited number of seats available, reservations are required.

Prices 10% discount on the applicable area ticket fee [Up to 1 attendant is free]
application theater ticket center 
TEL 03-5432-1515

It will be closed as soon as it becomes capacity.Please make your reservation as soon as possible.

Theater with an assistance dog

You can watch the play with an assistance dog.
Seats vary in size, so please contact the theater for details.

Inquiry Setagaya Public Theatre 
TEL 03-5432-1526

writing instrument

Communication devices are available in the theater lobby and theater ticket center.

Voice support for those who are hard of hearing

For those who have difficulty hearing the voice, we will lend out earphones in the theater lobby on the day of the performance.
Please apply at least 3 days before the desired date of use.

application Setagaya Public Theatre 
TEL 03-5432-1526 
FAX 03-5432-1559
Click here for contact form

For theater support and barrier-free services at our theaterplease use this form.

Social Media

“Caries” official instagram
@ushoku_sept 

“Caries” Official X (old Twitter)
@ushoku_sept

Setagaya Public Theater Official X (formerly Twitter)
@Setagaya Theater

Tour information

★ Hyogo performance
Venue: Hyogo Performing Arts Center Hankyu Middle Hall
日時: 2024/3/9(土)12:00、3/9(土)17:00、3/10(日)13:00
Ticket handling/inquiries: Arts Center Ticket Office 0798-68-0255 (10:00-17:00, closed on Mondays/next day if Monday is a holiday)
Organizer: Hyogo Prefecture, Hyogo Performing Arts Center

★ Aichi Performance
Venue:Niterra Nippon Special Ceramic Industry Civic Center Village Hall
Date: 2024/3/16 (Sat) 11:00, 3/16 (Sat) 16:00
Ticket handling: Me-ticket (Me-Teleticket Site
Inquiries: Mail Tele Business 052-331-9966 (Weekdays 10:00-18:00)
Sponsored by: Me-Tele, Me-Tele Business

Media information

▼ First day comment
2 / 13 (Tue)SPICE
2 / 13 (Tue)Rochike Theater Declaration!
2 / 12 (Mon)Okepi
2 / 12 (Mon)Pia
2 / 12 (Mon)THEATER GIRL
2 / 12 (Mon)Stage Natalie

▼ Interview etc.
2 / 9 (Fri)CREA WEB Ryuta Bando interview
2/8 (Thursday) Tokyo Shimbun morning edition Interview with Misaki Setoyama and Ryuta Bando
2/7 (Wed) anan №2384 Ryuta Bando Interview
2/7 (Wed)B-plus Shinya Niino interview
2/7 (Wednesday) InRed March issue Ryota Bando Hironaga Tsuna interview
2/6 (Tue) Subaru March issue Misaki Setoyama interview
2/6 (Tue) Nihon Keizai Shimbun evening edition Interview with Misaki Setoyama
1/29 (Monday) Mainichi Shimbun Evening Edition Ryuta Bando Interview
1/26 (Fri) STAGE navi vol.88 Ryuta Bando interview
1/17 (Wed) BARFOUT vol.341 Hironaga Tsuna interview
1 / 16 (Tue)HERE Ryuta Bando interview
1/12 (Fri) CYANMAN February issue Ryuta Bando interview
1/9 (Tue) Enbu February issue Takuya Yokoyama Kondo Park Comment
1/6 (Sat) WiNK UP February issue Hironaga Tsuna interview
1/1 (Monday/Holiday) Japan Dental Newspaper Interview with Takuya Yokoyama
12/27 (Wednesday) BEST STAGE February issue Ryuta Bando interview
12/25 (Monday) SKY PerfecTV! TV Guide Premium Ryuta Bando Interview
SKY PerfecTV! TV Guide BS+CS Ryuta Bando Interview
12/21 (Thursday) FLIX February 2024 issue Ryuta Bando Interview
11/30 (Thu) awesome! vol.64 Hironaga Tsuna interview
11/27 (Monday) STAGE navi vol.86 Hironaga Tsuna interview
11 / 25 (Sat)CLASSY.ONLINE Keinaga Tsuna interview
11 / 24 (Fri)CLASSY.ONLINE Ryuta Bando interview
11 / 23 (Thu)CLASSY.ONLINE Ryuta Bando Hironaga Tsuna Interview
11/10 (Friday) Plus Act December issue Ryuta Bando interview

Additional performances decided [Updated on December 2023, 12]

Additional performances have been decided for the Tokyo performance (venue: Theater Tram).

【Additional performances】
・February 2024, 2 (Friday) 16:14 performance
・February 2024, 2 (Thursday) 29:14 performance

[Venue]
Theatre tram

[Ticket sales start date]
March 2024, 1 (Monday / holiday)

[Additional performance ticket handling]
・Setagaya Public Theater Online Ticket https://setagaya-pt.jp/ (Advance registration required, 24-hour reception)
・Setagaya Public Theater Ticket Center 03-5432-1515 (Telephone/Counter 10:19-XNUMX:XNUMX)
*Sales by phone/counter will start from January 1th (Tuesday)
・Tickets are available at Play Guide (Ticket Pia/E+/Lawson Ticket/Confetti)

[Contact Us]
Setagaya Public Theater Ticket Center 03-5432-1515 https://setagaya-pt.jp/

Prohibition of resale

Resale of tickets for profit is strictly prohibited under any circumstances.
If resold tickets are confirmed, we will refuse admission, and if it is found after admission, we will ask you to leave.
You may be asked to confirm your identity when entering the Setagaya Public Theater/Theater Tram.
We appreciate your understanding and cooperation so that everyone can purchase tickets fairly.

 

About the official ticket resale “Tiketore”
If it is difficult for the purchaser to come to the venue for ``Caries'', we will use the official ticket trade resale service ``Ticketre''.
If you would like to purchase a ticket,https://tiketore.com/  Please check from
(Reception start date: December 12th (Sunday) 10:10~)

Click here for ticket inquiries
http://redirect.pia.jp/pc/tiketore.html

Organized by

Setagaya Arts Foundation

Planning and production

Setagaya Public Theatre

Sponsorship

Setagaya-city

Setagaya Public Theatre Ticket Centre

TEL. 03-5432-1515

Business hours: 10:00-19:00 (excluding year-end and New Year holidays)

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