Performing Arts Critic 16
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The series <Critique of the Performing Arts> is a course in which students practice criticism of theater and dance.We have two courses, "Writing Criticism" for Joint Review and "Reading the Stage" for theory, and we will proceed in conjunction with each other.
In the joint review course "Writing Criticism", we ask participants to submit a critique (approximately 2012 to 2,000 characters) of the performance hosted by the Setagaya Public Theater in 4,000, which is the subject of each session, for review and discussion.I aim not only to write a critique, but also to use that critique as a starting point to have discussions with people who have gathered in the same place.Anyone who has submitted an application can participate.
In the theory section "Reading the Stage" course, we will explore a wide range of perspectives and methods for reading and understanding stage productions, keeping in mind the performances hosted by the Setagaya Public Theater, which is covered in the joint review section "Writing Criticism."By broadening our horizons to various issues surrounding the performing arts, we will examine the nature of "criticism" that goes beyond mere impressions.
| Schedule |
2012 1.Joint Review “Write Criticism” (1) London Young Vic Theater"Kafka's Monkey" Criticism Submission Deadline: Sunday, May 5th Review date: Saturday, May 5, 26:14-17:XNUMX Lecturers: Satohito Hakkaku, Naoto Moriyama (2)"Southern Expressway", "Yabuhara Kengyo" Criticism Submission Deadline: Sunday, May 7th Review date: Saturday, May 7, 14:13-16:XNUMX Lecturers: Satohito Hakkaku, Hiroyuki Takahashi (3) musical drama"Fanfare" Criticism Submission Deadline: Sunday, May 10th Review date: Sunday, October 10, 28:14-17:XNUMX Lecturers: Satohito Hakkaku, Hiroyuki Takahashi (4)"4 four" Inbal Pinto & Avshalom Pollak Dance Company"Bombix Mori with Rush" "Goldfish" Criticism Submission Deadline: Sunday, May 12th Review date: Saturday, May 12, 8:14-17:XNUMX Lecturer: Naoto Moriyama, Hiroyuki Takahashi (5) "Harvest" - God created the countryside, people created the city - The Harrison family, a XNUMX-year story Criticism submission deadline: Sunday, January 2013, 1 Review date: Saturday, January 2013, 1, 19:14-17:XNUMX Lecturer: Naoto Moriyama, Hiroyuki Takahashi (6) "Macbeth" Criticism submission deadline: Sunday, January 2013, 3 Review date: Saturday, January 2013, 3, 30:14-17:XNUMX Lecturers: Satohito Hakkaku, Naoto Moriyama 2.Theory "Reading the Stage" (1) Saturday, June 6, 23:15-17:XNUMX Lecturer: Satohito Hakkaku (2) Saturday, September 9, 15:15-17:XNUMX Lecturer: Hiroyuki Takahashi (3) Saturday, November 11, 10:15-17:XNUMX Lecturer: Naoto Moriyama (4) Saturday, March 2013, 3 9:15-17:XNUMX Lecturer: Naoto Moriyama *You can apply from 1 time. * The instructor in charge of each session is subject to change (posted on the website at any time) |
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| Place |
1.Setagaya Public Theater Theater office meeting room 2. (1) (4) Setagaya Culture and Life Information Center Seminar Room A, (2) (3) Setagaya Culture and Life Information Center Workshop Room A |
| lecturer |
"profile" - Satohito Hakkaku (Yasumi Akihito) Born in 1963.Critic.Professor at the Faculty of Literature, Kinki University.He is a senior researcher at the Kyoto University of Art and Design Performing Arts Research Center.He has written numerous articles on theater, dance, film, photography, and literature.He has written and edited The Reality of Contemporary Photography (Kadokawa Gakugei Publishing) and others. ●Naoto Moriyama Born in 1968.theater critic.He is a professor at Kyoto University of Art and Design, Department of Performing Arts, and a senior researcher at the Performing Arts Research Center.Main articles include "Dialogue with a Ghost: Directing Akira Takayama's 'Kumo Ie.'" ("F/T09 DOCUMENTS"), "<Stage> opened up by <Documentary>", and "Stage space as a transition period." ――"Showa 30's" in small theater ("Staging Arts") and others. ● Hiroyuki Takahashi Born in 1978.Theater criticism, modern Japanese theater research.She is a part-time lecturer at Japan Women's University and Toho College of Art.Her papers include "The Distorted Position of Minorities: Kouhei Tsuka" (Bungei Bessatsu) and "Theater Space in the 00s" (Ref. 35).She served as editor-in-chief of the theater criticism magazine "Theater Arts" Nos. 42-XNUMX. |
| Entry fee |
1.Free *Participation is free of charge for those who have viewed each of the target works and submitted a critique. 2 yen each time |
| 申 込 み 方法 |
1.Please look at each of the target works, specify (1) your name (furigana), (2) address (3) telephone number, and submit your criticism according to the following application guidelines. [Application requirements] Number of characters: Approximately 2,000 to 4,000 characters Deadline: Must arrive each time Apply to: lec@setagaya-pt.jp *We will always send a confirmation email to those who have submitted criticism after the deadline. If you do not hear from us after submitting your review, please contact the theater reception (03-5432-1526). 2.Please use the application form below or contact the theater (03-5432-1526). |
| Contact | Setagaya Public Theater 03-5432-1526 |
| Remarks | [Sponsor] Asahi Breweries, Ltd. / Toray Industries, Inc. |
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The reception is closed.
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