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Medea/Jason

Medea/Jason
Advertising art: Kazuaki Akizawa Advertising photography: Nobuyasu Yamazaki
Medea/Jason
Medea/Jason

Princesses Medea and Jason were born in a foreign land, met and fell in love, and their three children were born to them.
What strange fate have they met?

A new Greek tragedy by Script: Satsuko Fujino and Director: Shintaro Mori
Yoshio Inoue, Nao Minamisawa, Hiroki Miura and other charming actors take on the challenge.

Performance schedule 2024/03/12 (Tue) ~ 2024/03/31 (Sun)
Venue Setagaya Public Theatre
Performance time About 2 hours (no break)
Lobby opens: 45 minutes before the start
Seats open: 30 minutes before the start of the performance
Prices generally:
S seat 9,000 yen A seat 5,500 yen
Release date generally:
2024/01/14 (Sun) ~
Setagaya Public Theatre Ticket Centre
03-5432-1515
Business hours: 10:00-19:00 (excluding year-end and New Year holidays)
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opening comment

Shintaro Mori
On the first day, I felt like I had finally arrived at the theatrical world of Medea/Iason that I had been longing for. It feels like a fairy tale, but at the same time it is a vivid human drama. In order to pursue this exquisite balance, people from all fields of art, lighting, sound, costumes, hair and make-up, choreography, and the five actors gave their all. I am especially moved by the limitless passion and lightness of the young actors, including Mr. Inoue.

The fusion of ``Argonautica'' and ``Medea'' envisioned by Satsuko Fujino was really exciting to me, and really stimulated my desire to direct it. Never before has the story of Medea and Jason been told in such an epic way. The fate of two people's love is depicted in a calm yet relentlessly fast manner. We would like as many people as possible to experience our new Greek tragedy and hear their impressions. We look forward to seeing you at the theater.

Yoshio Inoue
As the story unfolded, the audience's concentration gradually increased towards the end... It was a special two hours like never before.
Led by Mr. Mori's strong passion and attention to detail, we have been rehearsing for the performance. Theater cannot be created by talent alone, passion alone, or just one person. During the rehearsal period, I reaffirmed that the process of building things up together is interesting and that I like it.
Iason has never played a role before, so it's very refreshing. His plays are profound, and the more you perform them and the more you learn about them, the more you gain from them.However, there are many things that we can relate to today, and the stories are not difficult to approach. I would be happy if you could take a look at it without worrying and feel the same way you wanted.

Nao Minamisawa
I'm excited that this work, which was completed on the first day, will continue to change with each episode. There was a sense of tension in the audience, but I could feel the audience's concentration, and I was happy to see that they were watching and listening to the enormous lines and the difficult words typical of Greek drama. As Mr. Mori said, this work contains universal things that are no different from people today, and I think people will empathize with it as a story, and I think there are moments that will move their hearts. I would be happy if you could enjoy the expressions unique to theater and get a sense of the story of each character without worrying too much about it being a Greek drama.

Hiroki Miura
On the first day, I was half excited and half nervous about how the audience would react.
However, I was so nervous that I couldn't pay attention to the audience, but instead I was able to concentrate on the world of ``Media/Iason''. The moment the lights turned on at the curtain call, I saw the applause and facial expressions of everyone in the audience, and I felt relieved that we had been able to deliver this epic story.
This was my first time appearing in a production directed by Mr. Mori, and it was a fulfilling rehearsal period where I learned a lot. I am filled with gratitude as I was given a valuable experience that allowed me to take the next step.
I think it's a work that people can watch without having to think too hard about it, so I'd like as many people as possible to see it.

Takai Mizuno
``Media/Iason'', which everyone has been eagerly awaiting, has finally begun. A cast of only five people on a stage based on black. A lot of space to run around in a small space! But strangely, I didn't feel any anxiety; I felt like the solid warmth that everyone had created up until that point was packed tightly between the spacious space and the five cast members, protecting me. The satisfaction of having a customer there, combined with the happiness of being here now, made it a first day that I will always remember. Before the performance, I was so nervous that I went to the director, Mr. Mori, to ask for help, but he calmed me down with a typical Mori joke, saying, ``It's up to Mizuno!'' (lol), and also to all the reliable performers. It made me feel so much better, and I can't stop being overflowing with love in each and every one of them.

Chisato Kamo
I kept it a secret from him, but it was my dream to stand on the same stage as Yoshio Inoue. I never thought a day like this would come. After the first day, I could feel that each and every audience member was taking the theater very seriously. Mr. Yoshio, Mr. Nao, Mr. Miura, and Mr. Takai. The feeling of watching the four members of the family on stage is somehow similar to the love the media has for Iason. I hope you enjoy ``Media/Iason,'' which I rehearsed many times with Shintaro Mori, until the end.

Overview

From a young encounter to a tragic climax
“Medea/Jason” is a new stage play based on numerous “Medea” traditions.

In March 2024, Setagaya Public Theater will perform the new work “Medea/Jason” by scriptwriter Satsuko Fujino and director Shintaro Mori.
Medea is the masterpiece of Greek tragedy written by the ancient Greek playwright Euripides.The gruesome revenge story of Princess Medea, who kills her own child due to her husband Jason's betrayal, has been the subject of numerous stage plays and films around the world.
This work, “Medea/Jason,” does not focus on this famous revenge drama from beginning to end, but vividly illuminates the prequel, the meeting and love-filled days of the two young people, and depicts a man who exists like the sun. The film depicts the story of why two people met such a tragic end through the perspectives of their three children.

 

Hero Jason: Yoshio Inoue, Princess Medea: Nao Minamisawa, and other charming elites such as Hiroki Miura have gathered.
Birth of a new Greek tragedy

In this production, only five actors embody the epic Greek tragedy on stage.These five elite members have assembled the best cast that director Shintaro Mori could have hoped for.

Who plays the role of Jason, one of the title roles?Yoshio Inoueis.He made a spectacular debut in a musical, and since then has expanded his activities not only to the stage of popular musicals, but also to straight plays and video works, always placing himself in the world of many productions as a front-line actor, and achieving a unique reputation. We have built a rare presence.However, surprisingly, this work is the first to embody the world of Greek tragedy.All eyes are on how she will develop the role of her husband Jason, who transforms the loving princess Medea into a woman consumed by hatred.Please stay tuned.

The other title role, Princess Medea, will be played byNao MinamisawaWe will welcome you.Although he has a rich career in stage and film, Minamisawa is an avid reader and writes numerous book reviews and writes his own serials.In addition to her pure acting ability, she also takes advantage of her sharply honed analytical skills and literary sense, and is sure to bring out a new side of her in the role of Medea, the heroic heroine even in a Greek tragedy. there is no.

The three children born to Jason and Medea are played byHiroki Miura, Takai Mizuno, Chisato Kamo.

She has achieved excellent results in multiple ballet competitions, and has taken on many stage performances while showing promise as a ballet dancer. Now, she has both acting and singing skills, and her stage appearance with all the triple beats is the talk of the town.Hiroki MiuraHowever, it will be interesting to see what kind of chemical reaction they will have under Shintaro Mori's direction as they meet for the first time.

Takai Mizuno is Shintaro MoriHe has appeared in the productions of “Parade”, “The Miracle Worker”, and “The Monster and the Clock”, and is one of the indispensable actors in Mori's works.
Chisato KamoWhen he was involved in Mori's productions as a swing (understudy), Mori highly praised his talent, which led to him appearing in this project.Expectations are also high for the performances of Mizuno and Kamo, who have earned Mori's trust.

Coincidentally, this will be the first time for these five cast members to appear in a production planned by Setagaya Public Theater.The Greek tragedy Medea/Jason is portrayed from a new perspective by this wonderful cast and a talented staff that Mori has deep trust in.Please look forward to this work, which will be the culmination of the theater's 2023 theatrical performances.

 

Satsuko Fujino and Shintaro Mori reconstruct Greek tragedy based on numerous "medea traditions"

The script will be written by a writer from Monaca Kogyo, which is sponsored by Shintaro Mori.Satsuko Fujino.Fujino focuses on the many legends of Medea, and tells the story of how Medea and Jason, who were born in a foreign land, meet in their teens, just like Romeo and Juliet, and overcome numerous obstacles to achieve love. By placing it in the first half, we created a structure that makes the revenge story in the second half stand out even more.

be in charge of directingShintaro MoriAs you know, has always been at the top of the theater scene, and has previously performed in performances hosted by Setagaya Public Theater such as “Harvest” (2012), “THE BIG FELLAH” (2014), and “Management. People” (2017), “The Silver Tassie” (2018), “Mary Stuart” (2020), Setagaya Public Theater x Tokyo Globe Theater “THE ELEPHANT MAN” (2020), and many more. We have created popular works.Expectations are high to see how Mori, who has created numerous dramatic theater spaces, will produce the magnificent mythological world unique to Greek tragedy, encompassing both fantastical elements and comedic episodes.

The script is written by Satsuko Fujino, who has collaborated with many others to create numerous plays, and the direction is directed by Shintaro Mori, as well as a cast of five elite performers.How is the birth and collapse of a family of a couple and their children depicted within the larger framework of historical background and national system?Please look forward to “Medea/Jason,'' which is rich in joy, anger, and sadness, and is both intimate and grand.

Performer comments

Yoshio Inoue

A story from Greek mythology that is probably one of the oldest theatrical themes.When I read it again, I was surprised to learn that the fundamentals of humanity remain the same, and that the emotions such as human weakness and cunning, and the joy and pain that arise from this, are universal and realistic across time and space. .
The character Iason that I play is very human, and he has weaknesses and flaws as well.It's a challenge for me as an actor to play a negative side, so I'm looking forward to it.Nao Minamisawa, who plays Media, has a soft impression, so I'm looking forward to seeing how Minamisawa transforms towards the latter half of the tragedy, and that it will be an interesting creative journey. .
Shintaro Mori is a director who uses a variety of approaches to create a wide range of theatrical works and shocks the theater world.What kind of world will we create this time? What kind of experiences will we have? I'm looking forward to it in a scary way.

Nao Minamisawa

Medea has a strong image of being a gruesome revenge story, but “Medea/Jason” will not only include that, but also various episodes such as love and adventures with Iason, so we who live in modern times will also I think we can build a media image that people can empathize with.On the other hand, it's a role that reflects emotions that I've never played before, so I'm a little scared that I'll see a side of myself that I don't even know about, but I'm also full of expectations for the big challenge.
This will be my second time appearing in a production directed by Shintaro Mori.I am determined to arrive at the rehearsal room earlier than anyone else to formulate a plan, respond to the direction of Mr. Mori, who has a greater passion for theater than anyone else, and even exceed expectations.
I think I'll be interacting most closely with Yoshio Inoue, who plays Iason, so I want to feel free to clash with him.I would like to put my heart and soul into creating this work with Mr. Mori and all of my co-stars, who are highly skilled actors and have a wealth of stage experience.

Hiroki Miura

As a stage performer, I have always wanted to try my hand at the world of Greek tragedy.This time, it's a masterpiece that represents the world of Medea and Jason, and I'm incredibly excited to have it come true with Shintaro Mori's direction.
How can the epic world of Greek tragedy be performed with only five performers?I have heard that I am also planning to play multiple roles, so it looks like it will be an unpredictable stage experience that I have never experienced before. With the enthusiasm of “I'll do anything!'' I feel like I'm going to step out into the world without fear, boarding a boat with Mr. Mori and my co-stars.
It's my first time, so what will happen?However, I believe in what I have done so far and hope to absorb various things from Mr. Mori, Mr.Inoue, Ms.Minamizawa, and other co-stars, and expand my range as an actor. I am thinking.

Takai Mizuno

When I was in junior high school, I appeared in a musical based on Greek mythology, and since then I have been exposed to various stories.The characters in myths are somehow unconventional and have an image that lacks reality.However, in “Medea/Jason”, I hear that he will create a character with a human touch, so I am really looking forward to it, as I think it will be a touching Greek tragedy that the audience will be able to empathize with.
Mr. Mori's direction is filled with love and passion for actors and theater, and I personally play a variety of roles in addition to medea and Jason's child, so I need to be prepared to take on the challenge with energy, stamina, and concentration. I think it is.However, I love Mr. Mori's rehearsal space, and I would like to do my best to show you a new Greek tragedy that has never been seen before.

Chisato Kamo

I have been to Setagaya Public Theatre many times since I started acting.This is a theater where you can feel the sense of unity between the stage and the audience seats, and the feel of the actors.Although I was a mixture of anxiety and anticipation at the unknown experience of performing a Greek tragedy with a wide variety of characters with five cast members, I hope to be able to convey the same level of enthusiasm that I have felt in the audience seats. I am.
In Mr. Mori's practice studios that I have attended so far, there were cute props all over the place.I secretly think that Mr. Mori actually has a cute side to herself as she handles props like this.On the other hand, he is a person who creates rigorous, detailed, and realistic productions, and I hope everyone will be looking forward to seeing what the stage will be like.

 

Additional post-talk will be held

It has been decided that an additional "Media/Iason" post talk will be held.

3/28 (Thursday) 18:30 After the performance
Yoshio Inoue Nao Minamisawa Akira Shirai (Artistic Director of Setagaya Public Theater)

* Those who have tickets for the event can participate


Post-performance talks will also be held after the performances below.

3/22 (Fri) 14:00
Yoshio Inoue Nao Minamisawa Hiroki Miura

* Those who have tickets for the event can participate

3/22(金)14:00、3/24(日)12:00、3/31(日)12:00公演 注釈付指定席(見切れ席)発売

『メディア/イアソン』一部公演(3/22(金)14:00、3/24(日)12:00、3/31(日)12:00開演)につきまして、注釈付指定席(見切れ席)を発売いたします。

 

■Release date: March 3th (Wednesday) Reception starts at 13:10

■Limited number of tickets: Up to 1 tickets per seat type per performance per application

■ Fee:

Reserved seats with annotations (closed seats)
S seat (with notes) General 8,500 yen

A seat (with notes) General 5,000 yen
U24/high school students and under Half price of regular price

*S seats (with annotation) and A seats (with annotation) are closed seats.Part of the stage may be cut off, and the fall prevention handrail may come into view.
*There is no discount for Tomonokai/Setagaya Arts Card members.
*High school students and younger must present a certificate on the day.
*Reserved seats with annotations (closed-out seats) will also be sold for the 3:12 performance on Tuesday, March 18th, but these will be sold as same-day tickets.

 

■ Ticket handling:
<Setagaya Public Theater Online Ticket>
https://piagettii.s2.e-get.jp/sept/pt/
<Setagaya Public Theater Ticket Center>
03-5432-1515 (10: 00 ~ 19: 00)

3/12 (Tue) 18:30 performance Auxiliary seats on sale

We will be selling auxiliary seats for the ``Media/Iason'' performance at 3:12 on Tuesday, March 18th.

 

■Release date: October 3th (Sat) Reception starts at 9:10

■Quantity limit: Up to 1 tickets per seat type per application

■ Fee:
Auxiliary seat 8,500 yen
U24 ¥4,250
High school students and younger 4,250 yen

*Auxiliary seats have backrests, no armrests, and thin seat cushions.
*Part of the stage may be cut off.
*There is no discount for Tomonokai/Setagaya Arts Card members.
*High school students and younger must present a certificate on the day.

 

■ Ticket handling:
<Setagaya Public Theater Online Ticket>
https://piagettii.s2.e-get.jp/sept/pt/
<Setagaya Public Theater Ticket Center>
03-5432-1515 (10: 00 ~ 19: 00)

3/22(金)14:00、3/24(日)12:00、3/31(日)12:00公演 補助席発売

『メディア/イアソン』一部公演(3/22(金)14:00、3/24(日)12:00、3/31(日)12:00開演)につきまして、補助席を発売いたします。

 

■Release date: October 1th (Sat) Reception starts at 27:10

■Limited number of tickets: Up to 1 tickets per seat type per performance per application

■ Fee:
Auxiliary seat 8,500 yen
U24 ¥4,250
High school students and younger 4,250 yen

*Auxiliary seats have backrests, no armrests, and thin seat cushions.
*Part of the stage may be cut off.
*There is no discount for Tomonokai/Setagaya Arts Card members.
*High school students and younger must present a certificate on the day.

 

■ Ticket handling:
<Setagaya Public Theater Online Ticket>
https://piagettii.s2.e-get.jp/sept/pt/
<Setagaya Public Theater Ticket Center>
03-5432-1515 (10: 00 ~ 19: 00)

Cast staff

[Original work] “Argonautica: The Story of the Argo Ship” Written by: Apollonius Translated by: Michio Oka
    "Medea" Written by: Euripides Translated by: Yoshiya Nakamura
[Screenplay] Satsuko Fujino
[Direction] Shintaro Mori
[Cast]
Yoshio Inoue Nao Minamisawa Hiroki Miura Takai Mizuno Chisato Kamo

[Art] Masako Ito 
[Lighting] Makiko Sasaki 
[Music] Danny Forde 
[Music Director] Takashi Ochiai 
[Sound] Atsushi Kennoki 
[Costume] Rie Nishihara 
[Hair and makeup] Kazumi Owada 
[Choreography] Tomoko Tainaka
[Assistant director] Kyoko Ishida
[Assistant director] Hiroyo Sakurai 
[Stage Director] Masataka Sesaki 

[Advertising art] Kazuaki Akizawa 
[Promotion photo] Nobuyasu Yamazaki
[Advertising Stylist] Rie Nishihara 
[Promotional costume provided] Jurgen Lehl 
[Advertisement hair and makeup] Kazumi Owada

[Setagaya Public Theater Artistic Director] Akira Shirai

Schedule

2024/03/12 (Tue) ~ 2024/03/31 (Sun)

3/12
(Tue)
3/13
(Wed)
3/14
(Thu)
3/15
(Fri)
3/16
(Sat)
3/17
(Sun)
3/18
(Mon)
12:00CanceledCanceled
13:00
14:00
18:30
3/19
(Tue)
3/20
(Wed/Holiday)
3/21
(Thu)
3/22
(Fri)
3/23
(Sat)
3/24
(Sun)
3/25
(Mon)
12:00Canceled
13:00
14:00
18:30
3/26
(Tue)
3/27
(Wed)
3/28
(Thu)
3/29
(Fri)
3/30
(Sat)
3/31
(Sun)
12:00
13:00
14:00
18:30
Curtain
Time
12:0013:0014:0018:30
3/12
(Tue)
3/13
(Wed)
Canceled
3/14
(Thu)
3/15
(Fri)
3/16
(Sat)
3/17
(Sun)
3/18
(Mon)
Canceled
3/19
(Tue)
3/20
(Wed/Holiday)
3/21
(Thu)
3/22
(Fri)
3/23
(Sat)
3/24
(Sun)
3/25
(Mon)
Canceled
3/26
(Tue)
3/27
(Wed)
3/28
(Thu)
3/29
(Fri)
3/30
(Sat)
3/31
(Sun)

◎=There will be a post-performance talk
3/22 (Fri) 14:00 Yoshio Inoue Nao Minamisawa Hiroki Miura
3/28 (Thu) 18:30 Yoshio Inoue Nao Minamisawa Akira Shirai (Artistic Director of Setagaya Public Theater)
* Those who have tickets for the event can participate

■ = Stage briefing session for visually impaired people (free, reservation required)
3 / 23 (Sat) 13: 00
*Detail isplease use this form.

△=Cameras will be in the audience seats for recording purposes

ticket

Prices

All seats reserved S seats (1st and 2nd floor seats) A seats (3rd floor seats)
General S seat 9,000 yen A seat 5,500 yen
High school students and younger S seat 4,500 yen A seat 2,750 yen*Certificate required on the day
*Only available at Setagaya Public Theater Ticket Center and online tickets.
Tomonokai member S seat 8,500 yen A seat 5,000 yen*Handling only in advance
*Can also be purchased by high school students and younger.
Setagaya Public Theater Online Ticket Members S seat 9,000 yen A seat 5,500 yen*Can also be purchased by high school students and younger.
U24 member S seat 4,500 yen A seat 2,750 yen*Handling only in advance
*This service is provided by Toyota Motor Corporation
Setagaya Arts Card Members S seat 8,800 yen A seat 5,300 yen*Handling only in advance
*Can also be purchased by high school students and younger.

Release date

General release 2024/01/14 (Sun) 10:00~
Tomonokai member ▼Primary advance (Web lottery)
Entry period: 2024/01/05 (Fri) 10:00 to 01/09 (Tue) 23:59
*For the first round of Tomo no Kai, those who have applied to join the Tomo no Kai and paid their membership fees by 2023:12 on Wednesday, December 20, 23 are eligible.
▼Secondary advance (first-come-first-served basis)
2024/01/13 (Sat) 10:00~
*The Tomo no Kai second advance ticket is available to those who have applied to join the Tomo no Kai and paid the membership fee by 2024:1 on 5/23/59 (Friday).
* High school students and younger can purchase from the second advance.
Setagaya Public Theater Online Ticket Members 2024/01/13 (Saturday) 10:00- (first-come-first-served basis)
U24 member 2024/01/13 (Saturday) 10:00- (first-come-first-served basis)
Setagaya Arts Card Members 2024/01/13 (Saturday) 10:00- (first-come-first-served basis)
Same-day ticket information

"Media/Iason" will sell same-day tickets in the following way.

1.Telephone reservation
当日朝10:00~開演の2時間前まで(12:00公演のみ開演の1時間30分前まで)、世田谷パブリックシアターチケットセンター(電話03-5432-1515)にて先着順で承ります。

2.Theater window
Tickets will be sold at the ticket counter at the entrance of the Setagaya Public Theater from 60 minutes before the start of the performance.Priority will be given to those who make reservations by phone.

Price:
S seat
General 9,000 yen
High school students and younger 4,500 yen

A seat
General 5,500 yen
High school students and younger 2,750 yen

*There are no member discounts for same-day tickets.
*High school students and younger must present a certificate on the day.
*We accept up to 4 tickets per person, but we may not be able to prepare consecutive seats.

*Advance tickets can be reserved up to the day before as long as there are seats remaining.
Setagaya Public Theater Ticket Center: Call 19-00-03 until 5432:1515 the day before the performance
Setagaya Public Theater Online Ticket: Available until 23:30 the day before the performance

Ticket agency information

Setagaya Public Theatre Online Ticket
Setagaya Public Theatre Ticket Centre 03-5432-1515 (10: 00 ~ 19: 00)
Ticket Pia P code: 523-530
eplus
Lawson Ticket L code: 35236
Confetti

Precautions

About tickets and seats *Preschool children are not allowed to enter.
*We may not be able to guide you to your original seat after the performance.note that.
About number limit * Up to 1 tickets per performance per seat type per application
About various membership systems *Registration takes time, so please complete the membership application well in advance.
*How to join each memberplease use this form. for more information.
About purchasing at the Setagaya Public Theater Ticket Center * Phone only on the first day of sale.After the day after the general release date, if there are any remaining seats, they will be sold at the window.
* When purchasing tickets, we will ask for your contact information (phone number).In that case, please be sure to tell us what you can contact during the day.

Appreciation support

Childcare service

Childcare services are basically available for performances where advance tickets are sold.
Due to the limited number of seats available, reservations are required.

Prices 2,200 Yen(per person)
Target Over 6 months old and under 9 years old
application Setagaya Public Theatre 
TEL 03-5432-1526
Consignment Kids Room Tinker Bell Sancha

Reservations will be accepted until noon three days before the desired date of use, but will be closed as soon as the capacity is reached.
Please make your reservation as soon as possible.
In addition, please consult about children with disabilities.

Wheelchair space

There is a wheelchair space where you can watch the theater while in a wheelchair.
Due to the limited number of seats available, reservations are required.

Prices 10% discount on the applicable area ticket fee [Up to 1 attendant is free]
application theater ticket center 
TEL 03-5432-1515

It will be closed as soon as it becomes capacity.Please make your reservation as soon as possible.

Theater with an assistance dog

You can watch the play with an assistance dog.
Seats vary in size, so please contact the theater for details.

Inquiry Setagaya Public Theatre 
TEL 03-5432-1526

writing instrument

Communication devices are available in the theater lobby and theater ticket center.

Voice support for those who are hard of hearing

For those who have difficulty hearing the voice, we will lend out earphones in the theater lobby on the day of the performance.
Please apply at least 3 days before the desired date of use.

application Setagaya Public Theatre 
TEL 03-5432-1526 
FAX 03-5432-1559
Click here for contact form

For theater support and barrier-free services at our theaterplease use this form.

Stage briefing for the visually impaired

Stage information session for visually impaired people (free, reservation required)
Implementation time: 3/23 (Sat) 13:00

Before the opening, we will explain scenes that are difficult to understand without relying on sight, such as the position and shape of the stage equipment, the appearance position of the actors, and the costumes.

Seat reservations are available for visually impaired attendees of the stage briefing.Reception is from 1:14 on 10/00 (Sunday),Inquiry formOr it will start at the Setagaya Public Theater (phone 03-5432-1526).

S seat 9,000 yen (free for up to 1 caregiver)

  • When making a reservation, please fill in your name, email address, address, telephone, fax, number of people (with or without an assistant), whether you will be bringing an assistance dog, and if you would like to attend a "Media/Iason" stage briefing session, or let us know by phone. please.After receiving your request, we will contact you by email or phone within a few days to confirm.If you do not hear from us, please contact the theater.
  • Applications are limited to 1 tickets per performance (including caregivers).
  • The start time of the stage briefing will be announced as soon as it is decided.

Social Media

Setagaya Public Theater “Media/Iason” Official X
@medeia_iason

Setagaya Public Theater Official X
@Setagaya Theater

Tour information

★ Hyogo performance
Venue: Hyogo Performing Arts Center Hankyu Middle Hall
Date and time: 2024/4/4 (Thu) - 4/6 (Sat)
Ticket handling/inquiries: Arts Center Ticket Office 0798-68-0255 (10:00-17:00, closed on Mondays/next day if Monday is a holiday)
Organizer: Hyogo Prefecture, Hyogo Performing Arts Center

*An after-talk will be held after the performance at 4:5 on Friday, April 14th.
Speakers: Yoshio Inoue, Nao Minamisawa, Hiroki Miura

For details, please use this form.

Media information

▼Opening comment
3 / 14 (Thu)Pia
3 / 14 (Thu)Stage Natalie
3 / 14 (Thu)Entertainment stage
3 / 14 (Thu)Okepi
3 / 14 (Thu)Astage
3 / 14 (Thu)THEATER GIRL
3 / 15 (Fri)Confetti
3 / 15 (Fri)Entertainment terminal
3 / 19 (Tue)Rochike Theater Declaration!

▼ Interview etc.
3/27 (Wed)Sankei Shimbun (Kansai version) Yoshio Inoue interview
3/22 (Friday) Nikkei Cross Trend “Yoshio Inoue Entertainment News” serial number 151
3/12 (Tue) THEATER GIRL Hiroki Miura Interview(Part 2)
3/11 (Mon) THEATER GIRL Hiroki Miura Interview(first part)
3/11 (Monday) Idea News Hiroki Miura Interview(superior)(under)
3 / 8 (Fri)Book Bang Nao Minamisawa serialization “Reading Diary”
3/8 (Friday) Nikkei Cross Trend “Yoshio Inoue Entertainment News” serial number 150
3 / 7 (Thu)Asahi Shimbun(Evening edition) Nao Minamisawa interview
3/3 (Sun) Shinbun Akahata (Sunday edition) Interview with Yoshio Inoue
3 / 1 (Fri)Nihon Keizai Shimbun Nao Minamisawa Interview
2 / 27 (Tue)ELLE girl Hiroki Miura interview
2 / 25 (Sun)Mainichi Shimbun (Morning edition) Interview with Yoshio Inoue
2/21 (Wed) FLIX April issue Yoshio Inoue interview
2/21 (Wed) awesome!Plus Vol.25 Hiroki Miura Interview
2 / 1 (Thu)Norie M Nao Minamisawa Interview
1/24 (Wednesday) act guide Season 18 Yoshio Inoue Nao Minamisawa Interview
1 / 15 (Mon)SPICE Yoshio Inoue Nao Minamisawa Interview
1 / 14 (Sun)MANTAN WEB Nao Minamisawa Interview
1 / 12 (Fri)CLASSY.ONLINE Yoshio Inoue Interview (Part 2)
1 / 11 (Thu)CLASSY.ONLINE Yoshio Inoue Interview (Part 1)
1 / 1 (Mon)stage pia January + February issue Yoshio Inoue and Nao Minamisawa interview

Prohibition of resale

Resale of tickets for profit is strictly prohibited under any circumstances.
If resold tickets are confirmed, we will refuse admission, and if it is found after admission, we will ask you to leave.
You may be asked to confirm your identity when entering the Setagaya Public Theater/Theater Tram.
We appreciate your understanding and cooperation so that everyone can purchase tickets fairly.

 

About the official ticket resale “Tiketore”
At Media/Iason, if the purchaser is unable to attend in person, we will use the official ticket trade resale service ``Ticketre.''
If you would like to list or purchase tickets, please contacthttps://tiketore.com/  Please check from

Click here for ticket inquiries
http://redirect.pia.jp/pc/tiketore.html

Requests to visitors

We have a request to the customers who are visiting "Media/Iason".

This facility is a complex facility, and for safety reasons, waiting to enter or leave the dressing room at the entrance of the dressing room or around the facility is strictly prohibited.
In addition, we cannot accept fresh flowers, food, perishables, letters, gifts, etc. for the performers at the venue or by mail.note that.

We appreciate your understanding and cooperation.

Organized by

Setagaya Arts Foundation

Planning and production

Setagaya Public Theatre

Sponsorship

Setagaya-city

Setagaya Public Theatre Ticket Centre

TEL. 03-5432-1515

Business hours: 10:00-19:00 (excluding year-end and New Year holidays)

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