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"Vain Resistance"

"Vain Resistance"
Photo: Daisuke Ito (SIGNO)
"Vain Resistance"

Someone says, stop your futile resistance.
Trying to crush my feelings
Don't stop resisting.It's not decided that it's useless yet.

The theme of Tomohiro Maekawa x Setagaya Public Theater's XNUMXth tag team is "fate" and "free will", which are also major themes of Greek tragedy.
“It always feels like destiny, after everything was over, and I had the freedom to not know.”
What is "fate"? What is "freedom"?

---
[Award]
31th Yomiuri Theater Awards
■Best Actress Award: Nobue Iketani (“Useless Resistance” “We Are the Dust of the Universe”)
■Excellent Director Award: Tomohiro Maekawa (“Useless Resistance,” “To Deliver the Human Soul”)
■Excellent Staff Award: Kenichi Toki (art of “Useless Resistance” and “Delivering Human Souls”)

Performance schedule 2023/11/11 (Sat) ~ 2023/11/26 (Sun)
Venue Setagaya Public Theatre
Performance time About 2 hours (no break)
Lobby opens: 45 minutes before the start
Seats open: 30 minutes before the start of the performance
Prices generally:
S seat 8,500 yen A seat 5,500 yen
Release date generally:
2023/09/10 (Sun) ~
Contact Setagaya Public Theatre Ticket Centre
 03-5432-1515
Business hours: 10:00-19:00 (excluding year-end and New Year holidays)
Download
Appreciation support

Announcements

List

opening comment

the stage photoplease use this form.

Tomohiro Maekawa (Production/Direction)

It was a good first day.Although there were some issues that needed to be overcome, the actors' concentration was amazing and they did a great job in the actual production.I'm looking forward to seeing how it evolves as it progresses through the stages.

 

Nobue Ikeya (as Mei Yamatori)

It may be rude to talk about the lessons, but no work has wandered through the sea of ​​trees as much as this work.It was a difficult time at times, but it was also a rich time.I am delighted to finally be able to share with our customers the work that all of us in the company have created through a lot of futile resistance in order to find the light we aspire to.

For some reason, when I look at Maekawa's works, I feel like my soul is being saved and purified.Although this work is based on the tragic story ``Oedipus Rex,'' I believe that Mr. Maekawa's magic has made it possible for viewers to feel the light of salvation after the final act.

 

Yasuko Matsuyuki (role of Sakura Nikaido)

The first day of futile resistance has arrived.We have reached this day by continuing to search for what we can experience after weaving words and connecting the world of works.What is fate?What is human free will?What is resistance?What do you think of the scenery that unfolds at the end?Please experience it at the theater.We'll be expecting you.

 

Keisuke Watanabe (as Rito Suzuki)

At the beginning of the training session, we were struggling to move forward through the deep forest, but as we progressed, a huge mountain came into view.
I feel like the answer to the question I asked myself, whether I will be able to reach the summit at the foot of the mountain, has finally come in a wonderful way.
I'm glad that I continued to resist, and I want to continue resisting the infinity of this work, which is overflowing with the possibility of finding other routes to Senagiraku.
Anyway, I want to live my life to the fullest and enjoy it to the fullest.
I hope that the resistance that we all discussed in the rehearsal room will be something positive for everyone who came to see it.

Overview

Tomohiro Maekawa and Setagaya Public Theater team up for the first new performance in four years

The relationship between invisible things and humans, the ordinary and the extraordinary, the present and the future and the past...
As the head of the theater company Ikiume, he has created a mysterious world that is connected to the everyday life by freely depicting various spaces and times from a creative perspective.Tomohiro Maekawa.
Maekawa and the Setagaya Public Theater teamed up for the first time in 2009 for "Kikkai-Hearing from Yakumo Koizumi" (XNUMX).From there, "Contemporary Nohgaku Vol. VI Strange XNUMX" inspired by Noh and Kyogen, "Tono Monogatari Strange XNUMX" based on Kunio Yanagita's story, and the ancient Greek epic "Odyssey". We have performed new works based on various themes such as the original "Endless".
For the first time in four years, we will be teaming up to present a new work about "fate" and "free will."

 

A diverse cast

We have an attractive cast for the show.Appeared in many Maekawa works such as Ikiume performances, demonstrating a unique presenceIketani nobue,
It will be the first appearance in Maekawa's work in 2018 years since 5's "GeGeGe no Teacher".Yasuko Matsuyuki,
In addition to the Ikiume performance, it will be a continuous appearance from "Endless"Hazuki Shimizu.
Also, this time will be the first appearance of Maekawa's workKeisuke Watanabe,Moeka Hoshi.
And the actor of the theater company "Ikiume", which is indispensable for Maekawa's works, embodying the unrealistic world with realistic acting,Junpei Yasui,Shinya Hamada,Ryuji Mori,So Morishita,Hitoe Okubostiffens the sides.

 

Fate and Free Will

In 2019, "Endless" challenged a new scale story based on the ancient Greek epic Homer's "Odyssey".In this work, the main theme of the Greek tragedy represented by Sophocles' "Oedipus the King" is "fate". draw us

 

About fate.
The future is full of possibilities and looks like a lot of options.
But when I look back on my life, it's just a winding road.
The turbulent “present” knocks down the possibilities, solidifies them, and makes them unmovable.
There is no what-if.Waste of time just thinking about it.
The “present” pushes my back and I look forward.
There is no right or wrong choice.Everything may have been decided.
futile resistance. Is there no freedom for "I"?

In the Greek tragedy "Oedipus the King"
Oedipus who acted to escape from the ominous prophecy, therefore fulfills the prophecy.
By the time you realize it, it's too late.It was all destined to be like this.
Was Oedipus free?

OUR STORY

Trains stopped stopping at that station six months ago.Every train just passes by.Although the residents were confused, they went about their daily lives by going to the next station or using other means of transportation.The station building was deserted, and the plaza in front of the station had lost its vitality.
Sakura (Yasuko Matsuyuki), who was active as a fortune teller, returns to her hometown and makes a fresh start as a counselor.The person who appears as her client is her classmate Mei (Nobue Iketani).
Mei was strongly influenced by the words Sakura once said to her.She suffers, she says, because her words have defined her personality and her life.That was a prophecy, a curse.
The conversation that begins in the station square gradually reveals the strange fate surrounding Mei.
Her father's attitude when she was young, her relationship with her uncle, the choices she made to avoid the prophecy, the letter her mother left behind, and the secret of the birth of the host that Mei is sent to.Her uncle even hired a detective to keep an eye on Mei.
The two think about what is tormenting Mei and what they should do about Sakura's prophecy that has deeply pierced Mei's heart.
In the plaza, the people involved are listening to the conversation between the two.

Comments from the director and performers

Tomohiro Maekawa (Production/Direction)

I think it's attractive to be able to create a work with the Setagaya Public Theater from a slightly different point of view than the original work at the theater company.Continuing from last time, "Endless", this time, Greece is the starting point, and we will draw the major theme of Greek drama, "fate".
The stage is modern, and it begins with our daily lives.For example, it is a choice that greatly affects life, how to deal with things that are out of your control, and how free will and destiny conflict with what everyone experiences in life. I wish I could.

 

Iketani nobue

About fate... For me, fate has chosen to surrender as much as possible.However, that interpretation may also be because I feel it would be easier to blame it on something called "fate," which I don't know what is controlling me.If thinking about the possibility of another fate is already built into fate, then the time spent thinking about it is frustrating... and even the time spent thinking about it is said to be fate. from.
I feel a quiet groan of trying to challenge something huge that I can't compete with everyone in the group that I can trust.I'm looking forward to what kind of fate it will be, whether it's a futile resistance.

 

Keisuke Watanabe

I am delighted to be able to participate in Tomohiro Maekawa's work and to be able to stand on the stage of the Setagaya Public Theater again.
About destiny, the present and the freedom, all the possibilities, everything will be like this, these words alone make my heart dance.
I am already excited about what kind of work I can create.I would like to spend time polishing it so that I can share my thoughts with those who came to see it.

 

Yasuko Matsuyuki

I am delighted to be involved in a new creation under Mr. Maekawa.I would like to carefully build up the world that will stand up from now on.Useless resistance... I would like to create while enjoying what kind of world it will be.

Tomohiro Maekawa x Setagaya Public Theater


"Tono Monogatari: Strange Stories Part XNUMX" Trailer

 


"Endless" Trailer

 

Auxiliary seats/annotated reserved seats (closed-out seats) on sale

Regarding ``Useless Resistance,'' we will be selling auxiliary seats and reserved seats with annotations (close-out seats).
(Excluding some performances)

 

■Release date: October 10th (Sat) Reception starts at 14:10

■Limited number of tickets: Up to 1 tickets per seat type per performance per application

■ Fee:
Auxiliary seat
General 8,000 yen
U24 4,000 yen
High school students and younger 4,000 yen

*Auxiliary seats have backrests, no armrests, and thin seat cushions.
*High school students and younger must present a certificate on the day.
*Discounts for Tomo no Kai and Setagaya Arts Card members are not available.

Reserved seats with annotations (closed seats)
S seat (with notes) General 8,500 yen
A seat (with notes) General 5,500 yen
U24/high school students and under Half price of regular price

*S seats (with annotation) and A seats (with annotation) are closed seats.Part of the stage may be cut off, and the fall prevention handrail may come into view.
*High school students and younger must present a certificate on the day.
*Various member discounts available (only available for advance purchase)

 

■ Ticket handling:
<Setagaya Public Theater Online Ticket>
https://piagettii.s2.e-get.jp/sept/pt/
＜Setagaya Public Theater Ticket Center＞
03-5432-1515 (10: 00 ~ 19: 00)

Cast staff

[Written and Directed by] Tomohiro Maekawa
[Cast]
Ikeya Nobue Keisuke Watanabe Junpei Yasui Shinya Hamada
Moeka Hoshi, Hazuki Shimizu, Ryuji Morishita, Hajime Morishita, Hitoe Okubo
Yasuko Matsuyuki

[Art] Kenichi Toki
[Lighting] Kei Sato
[Music] Shuhei Kamimura
[Sound] Takuhei Aoki
[Costume] Sanae Ito
[Hair and Makeup] Naoko Nishikawa
[Staging] Shintaro Hirahara
[Dramatag] Takumi Yazawa
[Stage Director] Naoaki Tanaka

[Advertising Art] Taro Enomoto
[Promotion photo] Daisuke Ito (SIGNO)
[Advertising costume] Yasuo Mori
[Advertising hair and makeup] CHIHIRO Nakano Akemi (Yasuko Matsuyuki)

[Setagaya Public Theater Artistic Director] Akira Shirai

Schedule

2023/11/11 (Sat) ~ 2023/11/26 (Sun)

11/11
(Sat)		11/12
(Sun)		11/13
(Mon)		11/14
(Tue)		11/15
(Wed)		11/16
(Thu)		11/17
(Fri)
13:00○Canceled
14:00○○
18:00
19:00○◎◎
11/18
(Sat)		11/19
(Sun)		11/20
(Mon)		11/21
(Tue)		11/22
(Wed)		11/23
(Thursday/Holiday)		11/24
(Fri)
13:00▲■Canceled△▲
14:00○○
18:00△◎
19:00◎
11/25
(Sat)		11/26
(Sun)
13:00○○
14:00
18:00
19:00
Curtain
Time		 13:0014:0018:0019:00
11/11
(Sat)		○
11/12
(Sun)		○
11/13
(Mon)		Canceled
11/14
(Tue)		◎
11/15
(Wed)		○
11/16
(Thu)		◎
11/17
(Fri)		○
11/18
(Sat)		▲
11/19
(Sun)		■
11/20
(Mon)		Canceled
11/21
(Tue)		◎
11/22
(Wed)		○
11/23
(Thursday/Holiday)		△▲△◎
11/24
(Fri)		○
11/25
(Sat)		○
11/26
(Sun)		○

▲＝Student group theater
△＝Cameras will be in the audience seats for recording

◎＝There will be a post-performance talk
11/14 (Tue) 19:00
Tomohiro Maekawa Akira Shirai (Artistic Director of Setagaya Public Theater)
11 / 16 (Thursday) 19: 00
Keisuke Watanabe Hazuki Shimizu Ryuji Mori
11/21 (Tue) 19:00
Ikeya Nobue Shinya Hamada Hajime Morishita Yasuko Matsuyuki
11/23 (Thu/holiday) 18:00
Moeka Hoshi Junpei Yasui Hitoe Okubo
* Those who have tickets for the event can participate

■ = There is a stage briefing session for the visually impaired (capacity available, reservation required)
Date: 11/19 (Sun) 13:00
*Detail isplease use this form.

ticket

All seats reserved S seats (1st and 2nd floor seats) A seats (3rd floor seats)
General
Prices
S seat 8,500 yen A seat 5,500 yen
Release date
2023/09/10 (Sun) 10:00~
High school students and younger
Prices
S seat 4,250 yen A seat 2,750 yen
*Certificate required on the day
Release date
2023/09/10 (Sun) 10:00~
Membership priority, discounts, etc.
Tomonokai member
Prices
S seat 8,000 yen A seat 5,000 yen
*Handling only in advance
Release date
▼Primary advance (Web lottery)
Entry period: 2023/09/01 (Fri) 10:00 to 09/05 (Tue) 23:59
*Those who have completed the Tomonokai membership application and paid the membership fee by 2023:08 on August 28, 23 (Monday) are eligible for the Tomonokai primary advance.
▼Secondary advance (first-come-first-served basis)
2023/09/09 (Sat) 10:00~
*Those who have completed the Tomonokai membership application and membership fee payment by 2023:09 on September 04, 23 (Monday) are eligible for the Tomonokai secondary advance.
* High school students and younger can purchase from the second advance.
Setagaya Public Theater Online Ticket Members
Prices
General S seat 8,500 yen A seat 5,500 yen
Release date
2023/09/09 (Saturday) 10:00- (first-come-first-served basis)
*High school students and younger can also purchase.
U24 member
Prices
S seat 4,250 yen A seat 2,750 yen
*Handling only in advance
Release date
2023/09/09 (Saturday) 10:00- (first-come-first-served basis)
Setagaya Arts Card Members
Prices
S seat 8,300 yen A seat 5,300 yen
*Handling only in advance
Release date
2023/09/09 (Saturday) 10:00- (first-come-first-served basis)
*High school students and younger can also purchase.
Same-day ticket information

``Wasteful Resistance'' will sell same-day tickets in the following way.

1.Telephone reservation
Tickets are available on a first-come, first-served basis at the Setagaya Public Theater Ticket Center (telephone 10-00-2) from 03:5432 on the day of the performance until 1515 hours before the start of the performance.

2.Theater window
Tickets will be sold at the ticket counter at the entrance of the Setagaya Public Theater from 60 minutes before the start of the performance.Priority will be given to those who make reservations by phone.

Price:
S seat / S seat (with annotation)
General 8,500 yen
High school students and younger 4,250 yen

A seat / A seat (with annotation)
General 5,500 yen
High school students and younger 2,750 yen

*S seats (with annotation) and A seats (with annotation) are closed seats.Part of the stage may be cut off, and the fall prevention handrail may come into view.

Auxiliary seat
General 8,000 yen
High school students and younger 4,000 yen

*Auxiliary seats have backrests, no armrests, and thin seat cushions.

*There are no member discounts for same-day tickets.
*High school students and younger must present a certificate on the day.
*We accept up to 4 tickets per person, but we may not be able to prepare consecutive seats.

*Advance tickets can be reserved up to the day before as long as there are seats remaining.
Setagaya Public Theater Ticket Center: Call 19-00-03 until 5432:1515 the day before the performance
Setagaya Public Theater Online Ticket: Available until 23:30 the day before the performance

Ticket agency information

Setagaya Public Theatre Online Ticket
https://piagettii.s2.e-get.jp/sept/pt/
Setagaya Public Theatre Ticket Centre
03-5432-1515 (10: 00 ~ 19: 00) https://setagaya-pt.jp/membership/booth/
Ticket Pia
P code: 520-701 https://t.pia.jp/
eplus
https://eplus.jp/
Lawson Ticket
L code: 34225 https://l-tike.com/
Confetti
https://confetti-web.com/

Other notes

About tickets and seats

*Preschool children are not allowed to enter.
*We may not be able to guide you to your original seat after the performance.note that.

*The stage protrudes and has a different shape from the regular audience seats.The seating chart isplease use this form.
About number limit

* Up to 1 tickets per performance per seat type per application
About various membership systems

*Registration takes time, so please complete the membership application well in advance.
*How to join each memberplease use this form. for more information.
About purchasing at the Setagaya Public Theater Ticket Center

* Phone only on the first day of sale.After the day after the general release date, if there are any remaining seats, they will be sold at the window.
* When purchasing tickets, we will ask for your contact information (phone number).In that case, please be sure to tell us what you can contact during the day.

Appreciation support

Childcare service

Childcare services are basically available for performances where advance tickets are sold.
Due to the limited number of seats available, reservations are required.

Prices 2,200 Yen(per person)
Target Over 6 months old and under 9 years old
application Setagaya Public Theatre　
TEL 03-5432-1526
Consignment Kids Room Tinker Bell Sancha

Reservations will be accepted until noon three days before the desired date of use, but will be closed as soon as the capacity is reached.
Please make your reservation as soon as possible.
In addition, please consult about children with disabilities.

Wheelchair space

There is a wheelchair space where you can watch the theater while in a wheelchair.
Due to the limited number of seats available, reservations are required.

Prices 10% discount on the applicable area ticket fee [Up to 1 attendant is free]
application theater ticket center　
TEL 03-5432-1515

It will be closed as soon as it becomes capacity.Please make your reservation as soon as possible.

Theater with an assistance dog

You can watch the play with an assistance dog.
Seats vary in size, so please contact the theater for details.

Inquiry Setagaya Public Theatre　
TEL 03-5432-1526

writing instrument

Communication devices are available in the theater lobby and theater ticket center.

Voice support for those who are hard of hearing

For those who have difficulty hearing the voice, we will lend out earphones in the theater lobby on the day of the performance.
Please apply at least 3 days before the desired date of use.

application Setagaya Public Theatre　
TEL 03-5432-1526　
FAX 03-5432-1559
Click here for contact form

For theater support and barrier-free services at our theaterplease use this form.

Stage briefing for the visually impaired

Stage briefing for the visually impaired (capacity available, reservation required)
Implementation time: 11/19 (Sunday) 13:00

Before the opening, we will explain scenes that are difficult to understand without relying on sight, such as the position and shape of the stage equipment, the appearance position of the actors, and the costumes.

Seat reservations are available for visually impaired attendees of the stage briefing.Reception is from 9:10 on 10/00 (Sunday),Inquiry formOr it will start at the Setagaya Public Theater (phone 03-5432-1526).

S seat 8,500 yen (free for up to 1 caregiver)

  • When making a reservation, please include your name, e-mail address, address, phone number, fax number, number of people (with or without assistance), whether or not you have an assistance dog, and whether you would like to hold a stage briefing for "Wasteful Resistance" or call us. please give me.After receiving your application, you will receive a confirmation email or a phone call within a few days.If you do not hear from us, please contact the theater.
  • Applications are limited to 1 tickets per performance (including caregivers).
  • The start time of the stage briefing will be announced as soon as it is decided.

Social Media

"Useless resistance" official instagram
@muda_na_teikou　

"Useless Resistance" Official Twitter
@muda_na_teikou

Setagaya Public Theater Official Twitter
@Setagaya Theater

Tour information

★ Hyogo performance
Venue: Hyogo Performing Arts Center Hankyu Middle Hall
Date: 2023/12/9 (Sat) 15:00, 12/10 (Sun) 13:00
Ticket handling/inquiries: Arts Center Ticket Office 0798-68-0255 (10:00-17:00, closed on Mondays/next day if Monday is a holiday)
Organizer: Hyogo Prefecture, Hyogo Performing Arts Center

Media information

▼ Drama review
11/16 (Thursday) Mainichi Shimbun evening edition

▼Opening comment
11 / 14 (Tue)FASHION PRESS
11 / 13 (Mon)Pia
11 / 13 (Mon)SPICE
11 / 13 (Mon)Stage Natalie
11 / 13 (Mon)Okepi
11 / 13 (Mon)Entertainment stage
11 / 13 (Mon)THEATER GIRL
11 / 13 (Mon)information kick

▼ Interview etc.
11 / 11 (Sat)THEATER GIRL　Keisuke Watanabe Interview (Part XNUMX)
11 / 10 (Fri)THEATER GIRL　Keisuke Watanabe Interview (Part XNUMX)
11 / 10 (Fri)model plus　Keisuke Watanabe Interview
11 / 10 (Fri)Pia　Nobue Iketani Keisuke Watanabe Tomohiro Maekawa Interview
11/10 (Friday) Plus Act December issue Nobue Iketani interview
11/8 (Wed)Rochike Theater Declaration!　Keisuke Watanabe Interview
11/8 (Wed)anan No.2372 Nobue Ikeya Interview
11/7 (Tue) Yomiuri Shimbun Evening Edition Interview with Keisuke Watanabe
11/6 (Monday) Mainichi Shimbun evening edition Interview with Tomohiro Maekawa
11/2 (Thursday) Asahi Shimbun evening edition Interview with Tomohiro Maekawa and Nobue Iketani
10/30 (Monday) Nihon Keizai Shimbun electronic version Interview with Tomohiro Maekawa
10/28 (Sat) pen December issue Tomohiro Maekawa interview
10/27 (Friday) act guide Interview with Tomohiro Maekawa and Nobue Iketani
10/25 (Wed) Poco'ce November issue Yasuko Matsuyuki interview
10/19 (Thu) BARFOUT! November issue Keisuke Watanabe interview
10/12 (Thursday) Plus Act Keisuke Watanabe Interview
10/6 (Fri) Subaru November issue Tomohiro Maekawa interview
9 / 12 (Tue)ELLE girl　Keisuke Watanabe Interview
9/1 (Friday) Stage Pia 9+October issue Interview with Nobue Ikeya, Keisuke Watanabe, Tomohiro Maekawa
8/31 (Thu.) awesome! Vol.61 Interview with Keisuke Watanabe
8/30 (Wed)CLASSY.ONLINE　Keisuke Watanabe Interview (Part XNUMX)
8 / 29 (Tue)CLASSY.ONLINE　Keisuke Watanabe Interview (Part XNUMX)
8 / 27 (Sun)Okepi net　Interview with Tomohiro Maekawa
8 / 21 (Mon)Street Girls Snap　Interview with Moeka Hoshi
8 / 20 (Sun)MORE WEB　Keisuke Watanabe Interview (Part XNUMX)
8 / 19 (Sat)MORE WEB　Keisuke Watanabe Interview (Part XNUMX)
8 / 7 (Mon)Norie M　Interview with Moeka Hoshi
8/1 (Tue.) J Movie Magazine Interview with Keisuke Watanabe
7/31 (Mon.) FLIX Keisuke Watanabe interview

▼ TV and radio appearances
11/6 (Monday) 21:30-21:55 TOKYO FM "Welcome To The Theater Radio!" Guest: Nobue Iketani
10/23 (Monday) 14:20-14:40 FM SALUS “SALUS all in one” Guest: Shinya Hamada

Regarding invalidation of tickets purchased through credit card impersonation (unauthorized use)

Tickets listed below can be purchased by credit card.IThe ticket has been invalidated due to a confirmed fraudulent purchase.IYou will not be permitted to enter the venue.Please note.

 

October 11rd (Sun) 12:13
2nd floor C row 31

11 Month 18 (Sat) 13: 00
1st floor M row No. 31

11 month 21 day (Tuesday) 19: 00
2nd floor C row 32

Prohibition of resale

Resale of tickets for profit is strictly prohibited under any circumstances.
If resold tickets are confirmed, we will refuse admission, and if it is found after admission, we will ask you to leave.
You may be asked to confirm your identity when entering the Setagaya Public Theater/Theater Tram.
We appreciate your understanding and cooperation so that everyone can purchase tickets fairly.

 

【About the official ticket resale “Tiketore”】
If it is difficult for the purchaser to come to the venue for ``Useless Resistance,'' we will use the official ticket trade resale service ``Ticketre.''
If you would like to purchase a ticket,https://tiketore.com/　 Please check from

Click here for ticket inquiries
http://redirect.pia.jp/pc/tiketore.html

Requests to visitors

This facility is a complex facility, and for safety reasons, waiting to enter or leave the dressing room at the entrance of the dressing room or around the facility is strictly prohibited.
In addition, we cannot accept fresh flowers, food, perishables, letters, gifts, etc. for the performers at the venue or by mail.note that.

We appreciate your understanding and cooperation.

Organized by

Setagaya Arts Foundation
Planning and production

Setagaya Public Theatre
Production cooperation

etchby
Sponsorship

Setagaya-city
Sponsor

TOHO HOLDINGS CO., LTD./TOYOTA MOTOR CORPORATION/Bloomberg (in alphabetical order)
In cooperation with Unnan City Tourism Association

TOKYU RAILWAYS Co., Ltd.
Grant

Agency for Cultural Affairs Cultural Arts Promotion SubsidyPerforming Arts Comprehensive Support Project (Comprehensive support for functional enhancement of theaters, music halls, etc.)Japan Arts Council

Contact

Setagaya Public Theatre Ticket Centre

TEL. 03-5432-1515

Business hours: 10:00-19:00 (excluding year-end and New Year holidays)

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