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Musical drama "The Tale of a Horse"

Musical drama "The Tale of a Horse"
Musical drama "The Tale of a Horse"
Musical drama "The Tale of a Horse"
Musical drama "The Tale of a Horse"
Musical drama "The Tale of a Horse"

A masterpiece by Tolstoy, the great Russian writer, will be staged with a new production by Akira Shirai and an attractive cast.
It is a work that lyrically asks the universal theme of "what is life?" by contrasting a foolish human being and a wise horse.
Please look forward to the unique performance of Shirai, which incorporates plenty of elements of music and physical expression.

Performance schedule 2023/06/21 (Wed) ~ 2023/07/09 (Sun)
Venue Setagaya Public Theatre
Performance time About 2 hours 25 minutes (including 20 minutes break)
Act 1: 15 hour 20 minutes (break 2 minutes) Act 50: XNUMX minutes
Lobby opens: 45 minutes before the start
Seats open: 30 minutes before the start of the performance
Prices generally:
S seat 8,800 yen A seat 5,500 yen
Release date generally:
2023/04/23 (Sun) ~
Contact Setagaya Public Theatre Ticket Centre
03-5432-1515
Business hours: 10:00-19:00 (excluding year-end and New Year holidays)

first day comment

the stage photo Click here for more information.

Akira Shirai (Staging Script/Director)

I am honestly happy that the first day of three years has passed.
This work is a work made together with the audience.With the participation of everyone in the audience on the first day, I feel that my message has become clearer.
I hope that the message Tolstoy tried to convey through our current filter is now well understood.
There are a lot of expressions that can only be done by Mr. Narikawa's Holstmail, expressions that can only be done by Mr. Bessho's Duke, Mr. Konishi, and Mr. Ototsuki.I think that a very rich theatrical space was born with the total power of the cast and staff.
Frankly, I am very relieved.We look forward to seeing many of you there.

 

Kazuki Kunihiro (Translation/Music Director)

How to arrange a song written by Mr. Rozovsky with four saxophones.Also, I spent two months worrying about how to create new instrumental music and how to weave it into a piece of cloth.However, during the rehearsal process, I felt the boundary between the two disappearing, and today, on the first day, the saxophone tone and unique singing voice that resounds from the scaffolding at the construction site no longer belong to anyone, but is ringing here now. I certainly felt that it was coloring the festival of creation as a desperate breath of life.In the end, it was a wonderful first day full of tension that made me ask myself questions like, what are you going to build and how are you going to live?
After all, it's a live performance, so I'm really looking forward to the sound pressure and improvisation, and the changes in each performance.

 

Narukawa

With Mr. Shirai at the center, everyone in the company built up the work of creating the outline to fill the outer moat, and first of all, the shape of the vessel we were aiming for became visible.Next, what kind of contents will be packed in this vessel together with the customer?That is the challenge for the future.It's not a work that fills the vessel too much.However, it should not remain an empty vessel.
How will Tolstoy's message resonate in the end, after filling in the contents of imagination with the customer?How do you feel about it and how does it help you?I believe that this mission is to be shared equally by the performers and the audience.
Actually, it's been a long time since I've seen a stage where the audience is so close to the stage, but in such a good way the audience doesn't care.You might call it the fourth wall, and I am often asked to perform a performance that breaks through the wall between the audience and the audience. At the end of this, the eyes meet with the audience for the first time.Such acting is somehow new to me.
If you are reading this and are under the age of 24, this is a work that I definitely want you to visit.U24 (under 24) at the Setagaya Public Theater, and high school students and younger can watch the play at half the general price.You can watch this work, which is not difficult at all, and can always give you some stimulation in your life.Of course, everyone over the age of 24 is also welcome.It will surely surprise you.

 

Tetsuya Bessho

After the first day, I felt once again that the stage will grow together with the audience. I believe that the three years from 2020 have created opportunities and connections, and I believe that everyone has felt the significance of performing at this time.It is a very interesting work that the ego that humans have in the first place, such as owning and competing, can be seen from the horse.
This may be due to the structure of the work itself, but I would like to say that Mr. Shirai and all the performers are rowing oars in a boat, in a good way, aiming for completion forever. I feel like I'm moving forward on the ocean.It is a place where you can find new expressions of yourself as an actor.
It's a work that looks like there's still something beyond it even if you peel it off.It's not difficult at all, so I hope you enjoy watching it.There is a deep message that touches your heart at the bottom, so I hope you enjoy it.

 

Ryosei Konishi

This playful performance by Mr. Shirai, the spaciousness of the acting area, and Tolstoy's message overlap.I went into the day with a sense of urgency as I didn't know how the audience would react unless I actually performed in front of them, but I'm relieved that we were able to finish the first day very well.
Through the horse's point of view, this story presents the work of humans in a sometimes funny, but sincere, and non-sermonistic way.The stage and audience seats are flat and protrude into a semi-circular shape, and there are many audience seats.I don't think it's possible to have such an immersive theater experience so often, so I want as many people as possible to experience it.
I think the real pleasure of theater is that we can deliver parts that are difficult to obtain in everyday life to everyone.We are waiting for you at the theater.

 

Katsura Ototsuki

We practiced so intensely that the period of less than two months felt like it went by in the blink of an eye.When I stood on the stage, I was able to relax and feel the depth, three-dimensionality, and concrete image of this story and production.It was the first time for me, who is usually very nervous, to be able to face the first day so calmly.It's all thanks to a company that trusts and supports each other like a family, and Shirai-san's magic that brings change every day.
Some people may think that Tolstoy's original work is difficult, but the theme that is relevant to us today, Mr. Shirai's direction, Mr. Kunihiro's music and Mr. Un's movement will appeal to people of all generations. I think it's finished in a work that you can enjoy.We would appreciate it if you could enjoy creating the world of "The Story of a Horse" with us in a theatrical space where the stage and the audience feel connected.

Overview

“Run until the world disappears!”
Tolstoy's masterpiece that asks the meaning of life from the perspective of an intelligent horse
Setagaya Public Theater Artistic Director Akira Shirai will launch a new production

From June to July 2023, the Setagaya Public Theater will present "A Horse's Story" directed by Artistic Director Akira Shirai.This work was scheduled to be performed from June to July 6, but due to the first state of emergency declaration due to the spread of the new coronavirus infection, the museum was temporarily closed, and the performance was forced to be abandoned. .And this time, after exactly three years, the performance will finally come true.

The story of a horse, which is based on a novel by Russian literary master Tolstoy (original title: Horstmail, published in 1886), contrasts the stupid creatures called humans with intelligent horses that think, and portrays the insatiable desire to possess humans. While focusing on , it is a work that asks the universal theme of "What is the meaning of living in this world?"
Since its premiere in Russia in 1975, this work, which has been highly acclaimed internationally, will be newly directed by Akira Shirai.

Songha, Tetsuya Bessho, Ryosei Konishi, Kei Ototsuki and others
Company members for the 2020 performance reunite for 2023

Songha plays the role of a horse who was born with a mottled pattern and has an unfortunate fate.
Tetsuya Bessho as the duke who discovers the talent hidden in the horse,
Ryosei Konishi as a male (stall) who can be said to be a symbol of beauty and youth standing in front of a duke and a mottled horse.
And Katsura Ototsuki will play the role of a femme fatale who will change their destinies.
In addition, Hiroshi Omori, Takayasu Komiya, Yomo Harumi, and Tomo Koyanagi are attractive performers full of individuality, and 10 cast members who excel in singing and dancing to aggressively form a herd of horses.A total of 18 performers, along with talented staff, will create a story of Russia from a hundred and several decades ago as our modern story.
With Kazuki Kunihiro as the music director and Un Yamada as the choreographer, a strong staff line-up, in addition to songs with a rich ethnic feeling, incorporates plenty of elements of music and physical expression, giving a sense of human life from the perspective of a horse. Project it.

story

Horstmeer (Narikawa) was a naturally fast horse, but because he was born with a speckled pattern that humans disliked, he was raised as a worthless horse.
One day, a dignified Duke (Tetsuya Bessho) appears at the stable.The stable owner recommended a beautiful horse, but the Duke recognized Horstmeer's natural talent and bought him at a low price.Life with the Duke was the only bright and happy days of Horstmeer's life.
However, one day, at the whim of the Duke, Horstmeer will run in a horse race.At the racetrack, the Duke's mistress Macie (Kei Ototsuki) meets a beautiful young officer (Ryosei Konishi) and disappears.The Duke was upset, tied Horstmeer to the sled and whipped him violently...

Comments from the director and performers

Akira Shirai

Three years have passed since the planned 2020, and now I am finally able to face this work.The main cast remains the same as three years ago.In this day and age, this is a miracle.I am very much looking forward to working with these charming actors again.

And I think that these three years have brought about a slight change in the way I look at my works.
What makes a person's life fulfilling?What does it mean to own things?Shall I say that this primitive question has come to feel even more urgent? Tolstoy's question from over 100 years ago weighs on our backs like a weight.Yet people cannot escape their desires.

I would like to boldly reconstruct this world-famous theater masterpiece, which was launched from a novel by a Russian theater company 50 years ago, with a new direction.If Tolstoy were to see this modern society today, what kind of thoughts would he draw?I would like to work on creating works from such a perspective.

Narukawa

It's been a long time since I've appeared in a work directed by Akira Shirai.Mr. Shirai naturally attracts people, has the power to bring people together, and is a passionate director.He is full of a kind of sadistic love for the theater, and I am very much looking forward to the creative process of creating a work while being entwined like a whirlpool with that power.

In the play, there is a restraint that does not imitate the form of the horse, but there is also a direction that gives rise to richer ideas. I'm excited that I can find it.

A story that depicts capitalism, its problems, and the sense of ownership.It sounds difficult, but Mr. Shirai has a lot of ideas, so I have a strong feeling that it will be a modern work with a good tempo that is active, dynamic, and full of the joy of living.I want to confront Bessho-san, who has an aura that shows the scars like a medal that has been fought on the stage for many years, without hesitation, and I'm looking forward to co-starring with Konishi-kun and Katsura-chan, who have a sense of being creative classmates.

I would be happy if you could enjoy the gorgeous musical theater with a sense of festival.

Tetsuya Bessho

It's nothing but fun.It's my first time to be directed by Akira Shirai, but I'm really happy to be able to work with Mr. Shirai, who leads the theater world as a director and actor, to create the world of Tolstoy as a musical theater. .

I play the duke who discovers the talent of the horse Horstmail played by Mr. Narikawa.Through the character of the Duke, I would like to convey the lifestyle of people at the end of the 19th century, which is the background of this work, and how it overlaps with people living today.

A new music drama created by a staff and cast who love theater and musical worldviews with passion.I think we can show a completely different Tetsuya Bessho.Please see it with your own eyes.

Ryosei Konishi

Currently, I am reading the script in the preliminary draft stage, and I feel that along with the vitality of the horse, Mr. Shirai's own enthusiasm and deep knowledge of theater are overflowing.First of all, in the rehearsal hall, I would like to do my best and energetically respond to Mr. Shirai's directing, which is my first time.

I play a beautiful horse and a young count.It would be great if I could express the conscious and unconscious desires and instincts that human beings have fundamentally as a wall of Horstmeer.

Mr. Shirai and his company, including Mr. Narikawa, Mr. Bessho, and Mr. Ototsuki, who have had close ties with each other for a long time, will create a wild and instinctive work that will captivate the audience with energy like the flowing muscles of a horse. I would like to aim forPlease look forward to it and come to the theater.

Sound laurel

It's my first time to immerse myself in Mr. Shirai's world, and now I'm both excited and nervous.When I saw the work in which Ms. Shirai appeared, I was drawn in by her acting that manipulated the atmosphere of the place and vividly colored it.This time, I would be happy if I could receive various stimuli from Mr. Shirai as a director.

I play the mare and Macie, the duke's lover.A role that symbolizes beauty and youth as a contrasting existence of Horstmeer... I hope I can discover something new while exploring my own drawer.

It's been a long time since I co-starred with Narikawa-san and Konishi-san, so I want to show them how they've grown.This will be my first time working with Mr. Bessho, and I am looking forward to seeing what kind of chemical reaction will occur.

I will do my best to keep up with the energetic crowd.

Cast staff

[Original] Leo Tolstoy
[Screenplay/Music] Marc Rozovsky
[Lyrics] Yuri Lyashentsev
[Translation] Shinji Horie
[Translation/Music Director] Kazuki Kunihiro

[Staging Script/Direction] Akira Shirai

[Cast]
Songha Tetsuya Bessho Ryosei Konishi Katsura Ototsuki
Hiroshi Omori Takayasu Komiya Harumi Shikata Tomo Koyanagi
Fumiya Asakawa, Yuya Yoshizaki, Shotaro Yamaguchi, Katsuhito Amano, Takumi Suda
Yuri Anada Kaion Yamane Fuka Kobayashi Chihiro Nagaishi Saho Kumazawa

[Performance] Keiko Komori (S.sax.) Natsuko Hara (A.sax.) Daisuke Murakami (T.sax.) Hiroko Uehara (B.sax.)

[Art] Rumi Matsui
[Lighting] Shigeo Saito
[Sound] Masahiro Inoue
[Choreography] Un Yamada
[Costume] Sachiko Ito
[Hair and Makeup] Tomio Kawabata
[Action] Hiroshi Atsumi
[Production Assistant] Tomoya Kiriyama
[Stage Director] Toshiro Ogaki

[Advertising art] Kazuaki Akizawa 
[Promotion photo] Nobuyasu Yamazaki
[Advertising costume] Sachiko Ito 
[Advertising hair and makeup] Tomio Kawabata Yumi Iogi Madoka Takamura

[Setagaya Public Theater Artistic Director] Akira Shirai

Schedule

2023/06/21 (Wed) ~ 2023/07/09 (Sun)

6/21
(Wed)
6/22
(Thu)
6/23
(Fri)
6/24
(Sat)
6/25
(Sun)
6/26
(Mon)
6/27
(Tue)
13:00CanceledCanceled
14:00
18:00
18:30
6/28
(Wed)
6/29
(Thu)
6/30
(Fri)
7/1
(Sat)
7/2
(Sun)
7/3
(Mon)
7/4
(Tue)
13:00Canceled
14:00
18:00
18:30
7/5
(Wed)
7/6
(Thu)
7/7
(Fri)
7/8
(Sat)
7/9
(Sun)
13:00
14:00
18:00
18:30
Curtain
Time
13:0014:0018:0018:30
6/21
(Wed)
6/22
(Thu)
Canceled
6/23
(Fri)
6/24
(Sat)
6/25
(Sun)
6/26
(Mon)
Canceled
6/27
(Tue)
6/28
(Wed)
6/29
(Thu)
6/30
(Fri)
7/1
(Sat)
7/2
(Sun)
7/3
(Mon)
Canceled
7/4
(Tue)
7/5
(Wed)
7/6
(Thu)
7/7
(Fri)
7/8
(Sat)
7/9
(Sun)

▲=Student group theater
△=Cameras will be in the audience seats for recording purposes

◎=There will be a post-performance talk
<Scheduled speakers>
6 / 23 (Friday) 18: 30
Songha, Tetsuya Bessho, Ryosei Konishi, Kei Ototsuki, Akira Shirai (Directed by Setagaya Public Theater Artistic Director)
6/28 (Wednesday) 14:00
Songha, Tetsuya Bessho, Ryosei Konishi, Kei Ototsuki, Akira Shirai (Directed by Setagaya Public Theater Artistic Director)
6 / 30 (Friday) 14: 00
Ikuo Kameyama (Russian literary scholar, director of the Setagaya Museum of Literature), Narikawa (actor), Akira Shirai (director, setagaya public theater artistic director)
7/5 (Wednesday) 18:30
Songha, Kazuki Kunihiro (Translator/Music Director), Akira Shirai (Director/Artistic Director of Setagaya Public Theater)
* Those who have tickets for the event can participate

◇=Subtitle tablet seats for the hearing impaired (capacity available, reservation required)【Reception is over】
Implementation times: ① 6/25 (Sun) 13:00 ② 6/29 (Thu) 18:30
If you are hard of hearing and would like subtitles, please book a seat with a subtitle tablet.Reservations for seats are available from 4:23 on Sunday, April 10,Inquiry form Or we accept by FAX (03-5432-1559).
*Detail is Click here for more information.

■ = Audio guide and stage briefing for the visually impaired (capacity available, reservation required)
Implementation time: 7/8 (Sat) 13:00
If you are visually impaired and would like a stage briefing and audio guide, please reserve a seat with a stage briefing and audio guide.Reservations for seats are available from 4:23 on Sunday, April 10,Inquiry form Alternatively, you can apply at the Setagaya Public Theater (phone 03-5432-1526).
*Detail is Click here for more information.

ticket

All seats reserved S seats (1st and 2nd floor seats) A seats (3rd floor seats)
General
Prices
S seat 8,800 yen A seat 5,500 yen
Release date
2023/04/23 (Sun) 10:00~
High school students and younger
Prices
S seat 4,400 yen A seat 2,750 yen
*Certificate required on the day
Release date
2023/04/23 (Sun) 10: 00-
Tomonokai member
Prices
S seat 8,300 yen A seat 5,000 yen
*Handling only in advance
Release date
▼Primary advance (Web lottery)
Entry period: 2023/4/7 (Fri) 10:00 to 4/11 (Tue) 23:59
*Those who have completed the Tomonokai membership application and membership fee payment by 2023:4 on April 5, 23 (Wednesday) are eligible for the Tomonokai primary advance.
▼Secondary advance (first-come-first-served basis)
2023/4/16 (Sun) 12: 00-
* Only phone calls are accepted on the first day of advance.If there are seats left after the next day, they will be handled online.
*Those who have completed the Tomonokai membership application and membership fee payment by 2023:4 on April 12, 23 (Wednesday) are eligible for the Tomonokai secondary advance.
Setagaya Public Theater Online Ticket Members
Prices
[General] S seat 8,800 yen A seat 5,500 yen [High school students and younger] S seat 4,400 yen A seat 2,750 yen
Release date
2023/4/15 (Sat) 10:00 to 4/16 (Sun) 23:59 (first-come-first-served basis)
U24
Prices
S seat 4,400 yen A seat 2,750 yen
*Handling only in advance
Release date
2023/4/15 (Sat) 10:00 to 4/16 (Sun) 23:59 (first-come-first-served basis)
Setagaya Arts Card Members
Prices
S seat 8,600 yen A seat 5,300 yen
*Handling only in advance
Release date
2023/4/22 (Sat) 10:00- (first-come-first-served basis)

Ticket agency information

Setagaya Public Theatre Online Ticket
Setagaya Public Theatre Ticket Centre
03-5432-1515 (10: 00 ~ 19: 00) https://setagaya-pt.jp/membership/booth/
Ticket Pia
P code: 518-567 https://t.pia.jp/
eplus
Lawson Ticket
L code: 33518 https://l-tike.com/
Confetti

Other notes

About tickets and seats

*Preschool children are not allowed to enter.
*We may not be able to guide you to your original seat after the performance.note that

About number limit

* Up to 1 tickets per performance per seat type per application

About various membership systems

*Registration takes time, so please complete the membership application well in advance.
*How to join each member Click here for more information. for more information.

About purchasing at the Setagaya Public Theater Ticket Center

* Tickets will be sold at the Setagaya Public Theater Ticket Center only by phone and online, and will not be sold or issued at the counter.
* The payment method is "Seven-Eleven" or "online credit card payment", and the pick-up method is "Seven-Eleven ticket issue only".
*We will also ask for your contact information (phone number) when purchasing tickets by phone.In that case, please be sure to tell us what you can contact during the day.

Appreciation support

Childcare service

Childcare services are basically available for performances where advance tickets are sold.
Due to the limited number of seats available, reservations are required.

Prices 2,200 Yen(per person)
Target Over 6 months old and under 9 years old
application Setagaya Public Theatre 
TEL 03-5432-1526
Consignment Kids Room Tinker Bell Sancha

Reservations will be accepted until noon three days before the desired date of use, but will be closed as soon as the capacity is reached.
Please make your reservation as soon as possible.
In addition, please consult about children with disabilities.

Wheelchair space

There is a wheelchair space where you can watch the theater while in a wheelchair.
Due to the limited number of seats available, reservations are required.

Prices 10% discount on the applicable area ticket fee [Up to 1 attendant is free]
application theater ticket center 
TEL 03-5432-1515

It will be closed as soon as it becomes capacity.Please make your reservation as soon as possible.

Theater with an assistance dog

You can watch the play with an assistance dog.
Seats vary in size, so please contact the theater for details.

Inquiry Setagaya Public Theatre 
TEL 03-5432-1526

writing instrument

Communication devices are available in the theater lobby and theater ticket center.

For theater support and barrier-free services at our theater Click here for more information.

Handling of same-day tickets

Same-day tickets for the musical drama "A Horse's Story" will be sold in the following ways.

 

1.Telephone reservation
Tickets are available on a first-come, first-served basis at the Setagaya Public Theater Ticket Center (telephone 10-00-2) from 03:5432 on the day of the performance until 1515 hours before the start of the performance.

2.Theater window
Tickets will be sold at the ticket counter at the entrance of the Setagaya Public Theater from 60 minutes before the start of the performance.Priority will be given to those who make reservations by phone.

 

Price:
S seat
General 8,800 yen
High school students and younger 4,400 yen

A seat
General 5,500 yen
High school students and younger 2,750 yen

*There are no member discounts for same-day tickets.
*High school students and younger must present a certificate on the day.
*We accept up to 4 tickets per person, but we may not be able to prepare consecutive seats.

 

*Advance tickets can be reserved up to the day before as long as there are seats remaining.
Setagaya Public Theater Ticket Center: Call 19-00-03 until 5432:1515 the day before the performance
Setagaya Public Theater Online Ticket: Available until 23:30 the day before the performance

 

Additional post-talk will be held

It has been decided to hold an additional post-talk of the musical drama "The Story of a Horse".
We invited Mr. Ikuo Kameyama, director of the Setagaya Museum of Literature and a scholar of Russian literature, and Mr. Narikawa, who plays the role of Horstmeer, and Akira Shirai, the theater's artistic director and director, will listen to the appeal of Tolstoy's literature.

6/30 (Friday) 14:00 After the performance
Ikuo Kameyama (Russian literary scholar, director of the Setagaya Museum of Literature), Narikawa (actor), Akira Shirai (director, setagaya public theater artistic director)

* Those who have tickets for the event can participate


Post-performance talks will also be held after the performances below.

6/23 (Fri) 18:30
Songha, Tetsuya Bessho, Ryosei Konishi, Kei Ototsuki, Akira Shirai (Directed by Setagaya Public Theater Artistic Director)
6/28 (Wed) 14:00
Songha, Tetsuya Bessho, Ryosei Konishi, Kei Ototsuki, Akira Shirai (Directed by Setagaya Public Theater Artistic Director)
7/5 (Wed) 18:30
Songha, Kazuki Kunihiro (Translator/Music Director), Akira Shirai (Director/Artistic Director of Setagaya Public Theater)
* Those who have tickets for each event can participate

Subtitles for the hearing-impaired / Stage briefing and audio guide for the visually-impaired

Subtitle tablet rental for the hearing impaired (capacity available, reservation required)【Reception is over】
Implementation times: ① 6/25 (Sun) 13:00 ② 6/29 (Thu) 18:30
If you are hard of hearing and would like subtitles, please book a seat with a subtitle tablet.Reservations for seats are available from 4:23 on Sunday, April 10,Inquiry formOr we accept by FAX (03-5432-1559).

  • When making a reservation, please include your name, e-mail address, address, phone number, fax number, preferred date and time, number of people, and subtitles for "A Horse's Story".After we receive your application, we will send you a confirmation email or fax within a few days.If you do not receive it, please contact the theater.
  • You can apply for up to 1 tickets per performance.

 

Stage briefing and audio guide rental for the visually impaired (capacity available, reservation required)
Implementation time: 7/8 (Sat) 13:00
If you are visually impaired and would like a stage briefing and audio guide, please reserve a seat with a stage briefing and audio guide.Reservations for seats are available from 4:23 on Sunday, April 10,Inquiry formAlternatively, you can apply at the Setagaya Public Theater (phone 03-5432-1526).

  • When making a reservation, please include your name, e-mail address, address, phone number, fax number, number of people (with or without a caregiver), whether or not you will be accompanied by an assistance dog, and if you would like a stage briefing session and audio guide seats for "The Story of a Horse." Please fill in or tell us by phone.After receiving your application, you will receive a confirmation email or a phone call within a few days.If you do not hear from us, please contact the theater.
  • You can apply for up to 1 tickets per performance.
  • The start time of the stage briefing session before the performance will be announced as soon as it is decided.

Social Media

Setagaya Public Theater Music Theater "A Horse's Story" Official Twitter
@aru_uma2023sept

Setagaya Public Theater Official Twitter
@Setagaya Theater

Tour information

Hyogo performance
[Date] 2023/7/22 (Sat) 13:00, 7/23 (Sun) 13:00
[Venue] Hyogo Performing Arts Center Hankyu Middle Hall
[Ticket handling/inquiries] Arts Center Ticket Office 0798-68-0255 (10:00-17:00, closed on Mondays/next day if Monday is a holiday)
[Organizer] Hyogo Prefecture, Hyogo Performing Arts Center

Media information

▼ Drama review
7/7 (Fri.) Nihon Keizai Shimbun evening edition
6/27 (Tue.) Yomiuri Shimbun evening edition

▼ First day comment
6 / 26 (Mon)THEATER GIRL
6 / 26 (Mon)Confetti
6 / 24 (Sat)Okepi
6 / 24 (Sat)Theatrical kick
6 / 23 (Fri)Rochike Theater Declaration!
6 / 23 (Fri)Entertainment terminal
6 / 23 (Fri)Stage Natalie
6 / 23 (Fri)SPICE
6 / 23 (Fri)Pia

▼Interview etc.
6/25 (Sun.) Pococe July issue Songha interview
6 / 22 (Thu)Idea news Songha Ryosei Konishi Interview (Part XNUMX)
6/21 (Wed)Idea news Interview with Songha Ryosei Konishi (Part XNUMX)
6/21 (Wed)@BAILA Katsura Ototsuki Interview
6 / 19 (Mon)Theatrical kick Interview with Akira Shirai and Tetsuya Bessho Ryosei Konishi
6 / 17 (Sat)ENCOUNT Interview with Tetsuya Bessho
6/15 (Thu.) Nihon Keizai Shimbun Evening Edition Akira Shirai interview
6/14 (Wed)Pia Akira Shirai, Tetsuya Bessho, Ryosei Konishi, Kei Ototsuki Round-table discussion
6 / 9 (Fri)Stage MAP Interview with Akira Shirai
6/7 (Wed)B-plus Interview with Tetsuya Bessho
6/6 (Tue.) Yomiuri Shimbun Evening edition Songha interview
6/1 (Thursday) Asahi Shimbun evening edition Akira Shirai interview
6/1 (Thursday) Tokyo Shimbun morning edition Akira Shirai Songha interview
5/26 (Fri.) BEST STAGE July issue Interview with Songha RyoseiKonishi
5/9 (Tue.) FLIX PLUS vol.49 Interview with Akira Shirai,Songha Tetsuya Bessho, Ryosei Konishi, Kei Ototsuki
5/1 (Mon.) eclat June issue Katsura Ototsuki interview
5/1 (Mon.) Stage Pia 5+June issue Interview with Songha Tetsuya Bessho
4/27 (Thu.) Stage Square vol.62 Songha Ryosei Konishi Interview with Akira Shirai
4/11 (Tue.) Weekly Asahi April 4st enlarged issue Songha interview

Appearance on TV and radio
6/12 (Mon.) 6:00- J-WAVE "J-WAVE TOKYO MORNING RADIO" Navigator: Tetsuya Bessho Guest: Songha

Prohibition of resale

Resale of tickets for profit is strictly prohibited under any circumstances.
If resold tickets are confirmed, we will refuse admission, and if it is found after admission, we will ask you to leave.
You may be asked to confirm your identity when entering the Setagaya Public Theater/Theater Tram.
We appreciate your understanding and cooperation so that everyone can purchase tickets fairly.

 

About the official ticket resale “Tiketore”
For the music drama "A Horse's Story", if the purchaser himself/herself is unable to attend, we will deal with the official ticket trade resale "Ticketre".
If you would like to purchase a ticket,https://tiketore.com/  Please check from

Click here for ticket inquiries
http://redirect.pia.jp/pc/tiketore.html

Requests to visitors

This facility is a complex facility, and for safety reasons, waiting to enter or leave the dressing room at the entrance of the dressing room or around the facility is strictly prohibited.
In addition, we cannot accept fresh flowers, food, perishables, letters, gifts, etc. for the performers at the venue or by mail.note that.

We appreciate your understanding and cooperation.

Organized by

Setagaya Arts Foundation

Planning and production

Setagaya Public Theatre

Sponsorship

Setagaya-city

Sponsor

JRA
TOHO HOLDINGS CO., LTD./TOYOTA MOTOR CORPORATION/Bloomberg (in alphabetical order)

In cooperation with Unnan City Tourism Association

TOKYU RAILWAYS Co., Ltd.

Grant

Agency for Cultural Affairs Cultural Arts Promotion SubsidyPerforming Arts Comprehensive Support Project (Comprehensive support for functional enhancement of theaters, music halls, etc.)Japan Arts Council

Contact

Setagaya Public Theatre Ticket Centre

TEL. 03-5432-1515

Business hours: 10:00-19:00 (excluding year-end and New Year holidays)

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