"Yu * ASOBU" related project
Joseph Nagy Video Screening
| Message |
■December 2006, 12 (Monday) 18:19- "Joseph Nagy Last Landscape" (06/55 min) An autobiographical video work by Nagy specially produced for his appointment as an Associate Artist at the Avignon Festival. "Paso de Bure" (06 minutes in 40) A collaboration with the artist Michel Barceló, which was performed at the Avignon Festival in 06 along with "ASOBU." "Commedia Tempio" [excerpt version] (90 years / 30 minutes) A work about the checkered life of the legendary Hungarian writer Chart Geza.Perigueux Mime Festival Critics Award ■December 12 (Monday) 25:19? "Joseph Nagy Last Landscape" (06/55 min) An autobiographical video work by Nagy specially produced for his appointment as an Associate Artist at the Avignon Festival. "Canal Pekinova" (87/60 min) A shocking debut work that made Naji's name known to the world. "Unknown Diary" [excerpt version] (02 / 30 minutes) Nagy's solo work inspired by his diary and the work of Hungarian poet Otto Tornay ◆January 2007, 1 (Wednesday) 10:19? “Woicek” (94/60 min) Based on the theme of Buchner's play of the same name, in which a poor soldier brutally murders his common-law wife, this dance work is made from Nagy's unique perspective. "Habakkuk's Apology" (96/75 min) Nagy's masterpiece, inspired by the story of the eccentric prophet Habakkuk in the Old Testament and the Argentinian writer Borges. |
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| Place | Setagaya Ward Cultural Life Information Center Seminar Room (Carrot Tower 5F) |
| 申 込 み 方法 |
* Only customers who have tickets for the Tokyo performance of "Yu*ASOBU" can apply.Please apply from each form. *On the day of the event, please show your ticket for the Tokyo performance of "Yu*ASOBU" at the reception.Please note that you will not be allowed to enter if you do not present it. *Details on how to enter will be sent in the reception confirmation email. |
| Contact | Setagaya Public Theater 03-5432-1526 |
| Remarks |
*Japanese subtitles are not included *Some images may be unclear due to recording conditions. |
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