★Stage photos during the performance have arrived★

　Yutaka Kuramochi, who presides over and directs the production, is proud to say that it is his masterpiece and one of his most proud works. A rugged human drama centered on a brother and sister who meet again for the first time in 30 years, and whose connection of 30 years is about to be cut off.
It will be rewritten at the time of the replay, so we will be able to deliver a work that has evolved from the premiere.


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2/15 (Friday) After the 19:XNUMX session, a post-talk will be held!
Sawa Suzuki, who plays the leading role, and Yutaka Kuramochi, who presides over the event, welcome Keishi Nagatsuka (playwright and director) as a guest.
* Only those who have a ticket for the post-talk session can participate.
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The rehearsal report is You can see it.
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★Penguin Pull Pale Pile's "cover" premiere footage has arrived★

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★We have received a message from Yutaka Kuramochi, the creator and director★
The reunion of a brother and sister who have been separated for many years is a rather simple and dramatic play among my own works that were often described as difficult until then.
Now that we live in a world where anyone can easily speak up, I would like you to feel the aesthetic sense of "Iwanu ga Hana" through the characters who are reluctant to reveal their identities.
The performances of guest actors with careers, Sawa Suzuki and Shoichiro Tanigawa, give reality to the seemingly fantastic setting.
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[Production/Direction] Yutaka Kuramochi

[Cast] Sawa Suzuki/Takashi Kobayashi/Sakiko Bokumoto/Takamasa Tamaki/Fuku Kondo/Sumihiro Yoshikawa/Shoichiro Tanigawa

Little giants 090-8045-2079
Penguin Pull Pale Piles websiteplease use this form.から

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The rehearsal field report has arrived!
Penguin Pull Pale Piles (hereinafter referred to as PPPP) performed “cover” for the first time in a year, and for the first time in about three and a half years.When I visited the rehearsal room, I saw the PPPP-like gentle and mature staff and cast working on the work with sincerity and without forgetting their humor.

30 years ago, a letter sent by a girl with a balloon.The man who caught the letter tries to return it to the girl's two brothers.But the man suddenly escapes from his brother's presence.And the three of them arrive at a mansion in the mountains...

All seven cast members are the same as the premiere.Moreover, it is about 7 days until the opening, and the understanding of each role is very high.This was most evident in the scene where Sawa Suzuki, who plays the role of Chito, and Takashika Kobayashi, who plays the role of Shinpei, argue with each other.As the rehearsal progresses, more ideas and questions arise one after another from the two, and Yutaka Kuramochi, the writer and director, carefully examines each one.As a result, Kuramochi's own opinion is added, and the scene becomes more understandable and richer.

Next is the scene of Takamasa Tamaki, who plays the role of Masaru Torizuka, and Sakiko Bokumoto, who plays the role of Kuno Arifuku.The relationship between the two characters themselves is a bit strange, but at the point of being a combination of theatrical company members, I can't help but loosen my mouth.Of course, Kuramochi, who is familiar with the atmosphere of the two, adds a laugh that only these two can make.It's a Kuramochi work that tends to be difficult to understand, but in fact there are many laughable jokes from overaction, and this ridiculousness can be said to be PPPP-like in a sense.Moreover, the reason why it is not a "comedy" but a "comedy" is because of the high acting ability of the two.

Fuku Kondo and Sumihiro Yoshikawa are often grouped as "young" members of the theater company, but their growth was remarkable.Each of them is aware of their own color as an actor, and based on that, they continue to struggle to make their characters more attractive.Also, guest Shoichiro Tanigawa's aloof appearance is exactly the taste that only this person can bring out.For a short while, his movements are accompanied by a vague laughter, and as a resident of Kuramochi's work, no other guest could be more fitting.

Kuramochi's work looks like dried squid.The more you chew, the more flavor comes out, and there are new discoveries.That's why I would like you to take your time and enjoy this "cover", from the words to the movements of the actors.This is because the world will expand at once, and you will be able to enjoy Kuramochi's works many times over. Only a few days until the opening on February 2nd.I look forward to that day.

Interview and text: Rumiko Nogami