General 1,000 yen for each work
TSSS ¥500
U24 500 yen (pre-registration required at the theater ticket center, proof of age required at registration, online only, limited number)
500 yen for high school students and younger (available only at the theater ticket center, proof of age required)
Tomonokai member discount Not available
Setagaya Arts Card member discount Not available
"Reading Japanese Part 3 -Performance in the form of a drama reading-"
December 2010, 05 (Wednesday) -January 05, 2010 (Sunday)
Theatre tram
General : From Sunday, September 2010, 04
Pre-registration for Tomonokai members: From Friday, October 2010, 04
Advance reservation for Setagaya Arts Card members: From Saturday, March 2010, 04
Pre-registration for Tomonokai members: From Friday, October 2010, 04
Advance reservation for Setagaya Arts Card members: From Saturday, March 2010, 04
The third installment in a series that presents excellent modern and contemporary Japanese works in a drama-reading format.This time as well, three up-and-coming young directors will take on the challenge of creating masterpieces.
=======================
AI received a message from Mr. Kenichi Tani, who directs "Tropical Tree".
I just finished my first practice today, and in many ways I feel like I was betrayed.
Read Japanese, the script is magnificent Yukio Mishima, a masterpiece over two hours.I was prepared to take on a difficult challenge, but Mishima, who I could hear through the voice of the actor, was much kinder than the printed words, and I keenly felt that I was the one who deified and shunned him. Did.
However, it is true that reading it alone can be difficult, tiresome, and tedious, so for those who are interested in Yukio Mishima's plays and the art of theater as the "art of speaking" that Japanese theater in the Shingeki era possessed. If you want to feel the charm, please sit comfortably in the audience and enjoy it.
This project is doing a very luxurious thing with a very low hurdle.As a director myself, I plan to challenge the rest of the rehearsals by relying on my intuition and sensuality, rather than thinking too hard about theory and thought.
Kenichi Tani (DULL-COLORED POP)
=======================
History of "Reading Japanese Part 3 -Performance in the form of a drama reading-" has been posted.
For details, please use this form.から
A: "tropical tree"
[Written by] Yukio Mishima [Directed by] Kenichi Tani (DULL-COLORED POP)
[Cast] Shiro Ishimoda/Seika Kuze/Miki Nakamura/Sachiko Matsuura/Kazutoyo Yoshimi
B: "Junk Car and Five Gentlemen"
[Written by] Minoru Betsuyaku [Director] Yukio Shiba (Mamagoto)
[Cast] Yoshihiro Kasuya/Shoichiro Tanikawa/Takamasa Tamaki/Keiji Fukushi/Bengal/Others
C ： "Old Flower Night Thoughts"
[Written by] Shogo Ota [Directed by] Norihito Nakayashiki (Persimmon Eater)
[Cast] Junko Uchida/Yoshihiro Kasuya/Seika Kuze/Shoichiro Tanigawa/Miki Nakamura/Bengal/Sanae Miyata/Kazutoyo Yoshimi
*Performers are in Japanese syllabary order
=======================
AI received a message from Mr. Kenichi Tani, who directs "Tropical Tree".
I just finished my first practice today, and in many ways I feel like I was betrayed.
Read Japanese, the script is magnificent Yukio Mishima, a masterpiece over two hours.I was prepared to take on a difficult challenge, but Mishima, who I could hear through the voice of the actor, was much kinder than the printed words, and I keenly felt that I was the one who deified and shunned him. Did.
However, it is true that reading it alone can be difficult, tiresome, and tedious, so for those who are interested in Yukio Mishima's plays and the art of theater as the "art of speaking" that Japanese theater in the Shingeki era possessed. If you want to feel the charm, please sit comfortably in the audience and enjoy it.
This project is doing a very luxurious thing with a very low hurdle.As a director myself, I plan to challenge the rest of the rehearsals by relying on my intuition and sensuality, rather than thinking too hard about theory and thought.
Kenichi Tani (DULL-COLORED POP)
=======================
History of "Reading Japanese Part 3 -Performance in the form of a drama reading-" has been posted.
For details, please use this form.から
A: "tropical tree"
[Written by] Yukio Mishima [Directed by] Kenichi Tani (DULL-COLORED POP)
[Cast] Shiro Ishimoda/Seika Kuze/Miki Nakamura/Sachiko Matsuura/Kazutoyo Yoshimi
B: "Junk Car and Five Gentlemen"
[Written by] Minoru Betsuyaku [Director] Yukio Shiba (Mamagoto)
[Cast] Yoshihiro Kasuya/Shoichiro Tanikawa/Takamasa Tamaki/Keiji Fukushi/Bengal/Others
C ： "Old Flower Night Thoughts"
[Written by] Shogo Ota [Directed by] Norihito Nakayashiki (Persimmon Eater)
[Cast] Junko Uchida/Yoshihiro Kasuya/Seika Kuze/Shoichiro Tanigawa/Miki Nakamura/Bengal/Sanae Miyata/Kazutoyo Yoshimi
*Performers are in Japanese syllabary order
 |
 From left: Kenichi Tani/Yukio Shiba/Norihito Nakayashiki |
 From the top left: Shiro Ishimoda/Junko Uchida/Yoshihiro Kasuya/Seika Kuze/Shoichiro Tanigawa/Takamasa TamakiFrom the bottom left, Miki Nakamura/Keiji Fukushi/Bengal/Sachiko Matsuura/Sanae Miyata/Kazutoyo Yoshimi (in alphabetical order) |
July 2010
 |
 |
 |
 |
 |
 |
 |
| 1 | ||||||
| 2 | 3 | 4 |
5
19:00A◎
|
6
19:00 B◎
|
7
19:00 C◎
|
8
14: 00A
19:00B
|
|
9
14:00 C◎
|
10 | 11 | 12 | 13 | 14 | 15 |
| 16 | 17 | 18 | 19 | 20 | 21 | 22 |
| 23 | 24 | 25 | 26 | 27 | 28 | 29 |
| 30 | 31 |
*Performance times are
A: "Tropical Tree" 2 hours 10 minutes (10 minutes break)
B: "Junk Car and Five Gentlemen" 1 hour 15 minutes (no intermission)
C: "Old Flower Nights" 1 hour 30 minutes (no intermission)
Scheduled.
*Same-day tickets are sold at the theater tram lobby from 30 minutes before the performance.
◎＝There will be a post-talk by the director (5/9 will be a post-talk by 3 directors)
*Preschool children are not allowed to enter.
A: "Tropical Tree" 2 hours 10 minutes (10 minutes break)
B: "Junk Car and Five Gentlemen" 1 hour 15 minutes (no intermission)
C: "Old Flower Nights" 1 hour 30 minutes (no intermission)
Scheduled.
*Same-day tickets are sold at the theater tram lobby from 30 minutes before the performance.
◎＝There will be a post-talk by the director (5/9 will be a post-talk by 3 directors)
*Preschool children are not allowed to enter.
All seats are unreserved, date and time specified
| theater ticket center | 03-5432-1515 Computer (pre-registration required. Available 24 hours a day)  Mobile phone:http://setagaya-pt.jp/m/  |
|---|---|
| TSS (TOYOTA Student Support at SePT) |
 |
| Electronic ticket pia | 0570-02-9999 (P code: 403-355) http://pia.jp/t/ |
| TICKETS@TOKYO (same-day ticket reservation sales) | Same-day ticket information (Pre-registration required. Available 24 hours a day) |
Both the Setagaya Public Theater and Theater Tram have spaces for wheelchair users.Due to the limited number of seats available, reservations are required.
[Fee]: 10% discount on applicable area ticket fee [Up to 1 attendant is free]
【application】: 03-5432-1515 Theater Ticket Center
We accept applications until 19:XNUMX on the day before the desired date, but will close as soon as the capacity is reached.Please make your reservation as soon as possible.Also, if you are going to watch the performance in your seat, we will guide you smoothly to your seat, so please contact the theater in advance.
Childcare services are basically available for performances that sell advance admission tickets at the Setagaya Public Theater and Theater Tram.
[Fee]: 2,000 yen (per person)
【Subjects】: Over 6 months old and under 9 years old
【application】：03-5432-1526 Setagaya Public Theater
Reservations are accepted until noon three days before the desired date of use, but will be closed as soon as the capacity is reached.Please make your reservation as soon as possible.In addition, please consult about children with disabilities.
Consignment: Kids Room Tinker Bell Sancha
Theater Ticket Center 03-5432-1515
[Host]
Setagaya Cultural Foundation
[Planning and production]
Setagaya Public Theatre
[cooperation]
Tokyu Corporation/Tokyu Hotels/Shibuya Excel Hotel Tokyu
[Support]
Setagaya-city
22 Agency for Cultural Affairs Art Base Formation Project
