General 3,500 yen / 4,000 yen on the day
*Students ¥3.000 (advance tickets only available at Highwood)
Tomonokai member discount 3,300 yen
Setagaya Arts Card member discount 3,400 yen
SePT solo dance vol.20 Ikuyo Kuroda
Ikuyo Kuroda x Norimizu Ameya “Sokobucket no Soko”
September 2010, 01 (Friday) -October 15, 2010 (Sunday)
Theatre tram
General : From Wednesday, April 2009, 11
Pre-registration for Tomonokai members: From Monday, September 2009, 11
Advance reservation for Setagaya Arts Card members: From Tuesday, June 2009, 11
Pre-registration for Tomonokai members: From Monday, September 2009, 11
Advance reservation for Setagaya Arts Card members: From Tuesday, June 2009, 11
A popular solo dance series featuring solo dances by notable choreographers and dancers. This time, the 20th time, Ikuyo Kuroda, who presides over the dance company BATIK, will appear!
Please look forward to the new work created with Norimizu Ameya, who works on topical works!
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At the end of 2009, we interviewed Mr. Ikuyo Kuroda and Mr. Norimizu Ameya, who are working on the creation of "Sokobaketsu no Soko".
?Why did you ask Ameya-san to direct the production?
Kuroda: Exactly one year ago, I saw Ameya-san's work for the first time at "HARAJUKU PERDORMANCE+", and I really wanted to have him direct it.From that point on, I became close to Ameya, and while I have many things in common with Ameya, there are also differences, so I would like to borrow parts that are unique to Ameya to create a large-scale work.
?What is the training like?
Kuroda: While fumbling around.While creating the choreography based on the keywords and ideas I received from Ameya.But so far, I often proceed with "words".Ameya says that I have an “affinity” with “memories” and “choreography.”So this time, I'm trying to challenge the body and choreography, which is a little farther away from that.It is a new direction that is not in my creation.
?This is your first full-fledged solo.
Kuroda: I think there are new discoveries.In my works, I often decide and stick to it, but this time, I'm waiting for it to come down.
***
Ameya-san, this is your first time directing a dance.
Ameya: That's right.This is the first time I have been asked to direct by a dancer.But since it was ordered, I think there is a meaning to it.I don't watch a lot of dance, so I'm confused and anxious.
What is your impression of Mr. Kuroda?
Ameya: You're a strong person, aren't you?Some parts are similar to mine.He also has directing skills, so at first I was puzzled as to why I was asked to direct (laughs). "Solo dance" is also one of the puzzles.In my work, I don't do it with a small group of people, but I often make it while meeting many people.But I'm progressing while talking with Ikuyo-san in rehearsals.
-Please leave a message for the viewers.
Ameya: I want people to feel something regardless of the genre, such as dance or theater, and regardless of the meaning of dance.It's only two weeks away, but I'd like to be able to see something by the day.
(December 2009, 12 at Setagaya Public Theater rehearsal room)
=================================
At the end of 2009, we interviewed Mr. Ikuyo Kuroda and Mr. Norimizu Ameya, who are working on the creation of "Sokobaketsu no Soko".
?Why did you ask Ameya-san to direct the production?
Kuroda: Exactly one year ago, I saw Ameya-san's work for the first time at "HARAJUKU PERDORMANCE+", and I really wanted to have him direct it.From that point on, I became close to Ameya, and while I have many things in common with Ameya, there are also differences, so I would like to borrow parts that are unique to Ameya to create a large-scale work.
?What is the training like?
Kuroda: While fumbling around.While creating the choreography based on the keywords and ideas I received from Ameya.But so far, I often proceed with "words".Ameya says that I have an “affinity” with “memories” and “choreography.”So this time, I'm trying to challenge the body and choreography, which is a little farther away from that.It is a new direction that is not in my creation.
?This is your first full-fledged solo.
Kuroda: I think there are new discoveries.In my works, I often decide and stick to it, but this time, I'm waiting for it to come down.
***
Ameya-san, this is your first time directing a dance.
Ameya: That's right.This is the first time I have been asked to direct by a dancer.But since it was ordered, I think there is a meaning to it.I don't watch a lot of dance, so I'm confused and anxious.
What is your impression of Mr. Kuroda?
Ameya: You're a strong person, aren't you?Some parts are similar to mine.He also has directing skills, so at first I was puzzled as to why I was asked to direct (laughs). "Solo dance" is also one of the puzzles.In my work, I don't do it with a small group of people, but I often make it while meeting many people.But I'm progressing while talking with Ikuyo-san in rehearsals.
-Please leave a message for the viewers.
Ameya: I want people to feel something regardless of the genre, such as dance or theater, and regardless of the meaning of dance.It's only two weeks away, but I'd like to be able to see something by the day.
(December 2009, 12 at Setagaya Public Theater rehearsal room)
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[Choreography/Performance] Ikuyo Kuroda
[Director] Norimizu Ameya
[Construction] Ikuyo Kuroda / Norimizu Ameya
July 2010
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| 3 | 4 | 5 | 6 | 7 | 8 | 9 |
| 10 | 11 | 12 | 13 | 14 |
15
19:30
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16
15:00
19:30
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17
16:00◎
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18 | 19 | 20 | 21 | 22 | 23 |
| 24 | 25 | 26 | 27 | 28 | 29 | 30 |
| 31 |
◎ = Post talk (appearance: Ikuyo Kuroda x Norimizu Ameya)
*Those who have a performance ticket (stub) for the full schedule of "Sokobaketsu no Soko" can enter the post-talk. If you have a ticket (stub) for the performances on the 15th (Fri) and 16th (Sat), you will be notified after the performance.
* Performance time is scheduled to be about 1 hours and 10 minutes (no intermission).
*Preschool children are not allowed to enter.
*Those who have a performance ticket (stub) for the full schedule of "Sokobaketsu no Soko" can enter the post-talk. If you have a ticket (stub) for the performances on the 15th (Fri) and 16th (Sat), you will be notified after the performance.
* Performance time is scheduled to be about 1 hours and 10 minutes (no intermission).
*Preschool children are not allowed to enter.
Free seating (all standing)
| theater ticket center | 03-5432-1515 Computer (pre-registration required. Available 24 hours a day)  Mobile phone:http://setagaya-pt.jp/m/  |
|---|---|
| high wood | 03-3320-7217 (Weekdays from 13:19 to 11:25, reception from 10:XNUMX only on September XNUMX general release day) |
Both the Setagaya Public Theater and Theater Tram have spaces for wheelchair users.Due to the limited number of seats available, reservations are required.
[Fee]: 10% discount on applicable area ticket fee [Up to 1 attendant is free]
【application】: 03-5432-1515 Theater Ticket Center
We accept applications until 19:XNUMX on the day before the desired date, but will close as soon as the capacity is reached.Please make your reservation as soon as possible.Also, if you are going to watch the performance in your seat, we will guide you smoothly to your seat, so please contact the theater in advance.
Childcare services are basically available for performances that sell advance admission tickets at the Setagaya Public Theater and Theater Tram.
[Fee]: 2,000 yen (per person)
【Subjects】: Over 6 months old and under 9 years old
【application】：03-5432-1526 Setagaya Public Theater
Reservations are accepted until noon three days before the desired date of use, but will be closed as soon as the capacity is reached.Please make your reservation as soon as possible.In addition, please consult about children with disabilities.
Consignment: Kids Room Tinker Bell Sancha
Highwood 03-3320-7217 (weekdays from 13:19 to XNUMX:XNUMX)
[Host]
Ikuyo Kuroda/BATIK
[Partnership]
Setagaya Cultural Foundation / Setagaya Public Theater
[Support]
Setagaya-city
