General A seat 4,000 yen (1st and 2nd floor) / B seat 3,500 yen (3rd floor)
*Additional 500 yen each on the day
*Student A seat 3,000 yen / B seat 2,500 yen (advance tickets only available at Highwood)
Tomonokai member discount A seat 3,800 yen
Setagaya Arts Card member discount A seat 3,900 yen
BATIK
"Another BATIK ~Going to the Hills of Babylon~"
December 2009, 03 (Thursday) -March 26, 2009 (Sunday)
Setagaya Public Theatre
General : From Thursday, May 2009, 01
Pre-registration for Tomonokai members: From Tuesday, June 2009, 01
Advance reservation for Setagaya Arts Card members: From Wednesday, April 2009, 01
Pre-registration for Tomonokai members: From Tuesday, June 2009, 01
Advance reservation for Setagaya Arts Card members: From Wednesday, April 2009, 01
what's new! A video distribution that condenses the charm of BATIK!
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★A message has arrived from Kei Shichiri (film director) regarding his new work!
Shichisato has a deep knowledge of not only movies but also other genres of art.
I always come to BATIK performances as a spectator.
After that, I started to invite Mr. Shichiri for previews of his works and talk about them.
I received a comment for this new work!
...
A lively muse dances the bolero!
Oh, just thinking about it makes me dizzy,
You will be transported to a state of ecstasy.
Kei Shichiri (Film Director)
...
●Notice of publication of articles related to the performance.
Interview with Akira Kasai and Ikuyo Kuroda in the "Theater Guide April issue" (pages 30 and 31)!
"DDD April issue" (page 107) Interview with Ikuyo Kuroda!
Please take a look at the process of creating the work and the thoughts of the two men, which cannot be delivered on the website.
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●There is about a month left until the “another BATIK” performance.We asked Akira Kasai, the choreographer, and Ikuyo Kuroda, the BATIK member, about their thoughts on the piece and how they were rehearsing.
(February 09, 2, at the rehearsal hall.)
 Akira Kasai BATIK has been active as an all-female company so far, so I think there was a statement in being a woman, even if it wasn't consciously.This was the first time that I, a man, had entered there.By choreographing something different from the physicality, movement, and sensations of women, I want to bring out something new. I have created choreographed works before, but this is my first time choreographing for a company (*).The company has a lot of strength.In the case of dancers gathered through auditions, you have to start by building a relationship, but BATIK as a company has strong ties between dancers, which is very good.The challenge is to make the most of it. I want to make a work that BATIK has cultivated so far will bloom.For those who have seen BATIK so far, I think it's a completely different BATIK, so please take a look.And for those who haven't met yet, I would like you to touch BATIK. *(Mr. Kasai has worked with ballet dancer Ruzimatov, Kuniko Kisanuki and Setsuko Yamada for "nobody Eve" (Theater Tram) in 03, and 06 dancers who auditioned in Germany for "Mirage" (Theater Tram) in 8. choreographed to.) another BATIK document now available Akira Kasai Tenshikan |
 Ikuyo Kuroda It's hard to memorize the choreography in practice!But before and after rehearsals, Mr. Kasai talks a lot about the work, so we can get closer to the work and share our thoughts. At BATIK, when I make a new work, I do the same work (dialogue), so I can talk to them and get rid of confusion. One month until the performance, I have to pick up the pace from here.The way Kasai-san is particular about how to use his body is different from BATIK's, so we have to show that part properly. Learning the choreography for Bolero is also difficult, but I enjoy doing it.I never choreograph "Bolero" myself, so this is a precious opportunity (laughs). I'm dancing using the breathing method of "song", but it's difficult to switch the breathing! !Anyway, it's a simple piece to dance to, so I hope you enjoy the dance itself. |
The latest work by the dance company founded in April 02 led by Ikuyo Kuroda.This time, the choreography was commissioned by Akira Kasai, a butoh dancer and expert in eurythmy. “I have no idea how long the BATIK dancers will be able to hold on to their radical movements,” says Kasai, who will keep an eye on how the dancers will react.
[Composition/Direction/Choreography] Akira Kasai
[Cast] Ikuyo Kuroda/Chiaki Isa/Minako Ueki/Mamiko Oe/Haruka Kajimoto/Misako Tanaka/Rie Teranishi/Ayaka Nakatsuru/Yayoi Nishida/Kumiko Yajima
July 2009
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* Performance time is scheduled to be about 1 hour and 25 minutes (planned without intermission).
*For reservations up to the day before, please contact the theater (03-5432-1526).
*Same-day tickets are sold at the lobby of Setagaya Public Theater on the 60rd floor of Carrot Tower from 3 minutes before each performance.
◎＝There is a post-talk
*Preschool children are not allowed to enter.
*For reservations up to the day before, please contact the theater (03-5432-1526).
*Same-day tickets are sold at the lobby of Setagaya Public Theater on the 60rd floor of Carrot Tower from 3 minutes before each performance.
◎＝There is a post-talk
*Preschool children are not allowed to enter.
All seats specified
| theater ticket center | 03-5432-1515 Computer (pre-registration required)  Mobile phone:http://setagaya-pt.jp/m/  |
|---|---|
| Electronic ticket pia | 0570-02-9999 (P code: 392-100) http://pia.jp/t/ |
| eplus | http://eplus.jp/ |
| high wood | 03-3320-7217 (Weekdays from 13:19 to 1:15, reception from 10:XNUMX only on September XNUMX general release day) |
| BATIK Online | https://www.kouenservice.net/ks_ticket_shop.cgi?ksi_no=010100000015 |
Both the Setagaya Public Theater and Theater Tram have spaces for wheelchair users.Due to the limited number of seats available, reservations are required.
[Fee]: 10% discount on applicable area ticket fee [Up to 1 attendant is free]
【application】: 03-5432-1515 Theater Ticket Center
We accept applications until 19:XNUMX on the day before the desired date, but will close as soon as the capacity is reached.Please make your reservation as soon as possible.Also, if you are going to watch the performance in your seat, we will guide you smoothly to your seat, so please contact the theater in advance.
Childcare services are basically available for performances that sell advance admission tickets at the Setagaya Public Theater and Theater Tram.
[Fee]: 2,000 yen (per person)
【Subjects】: Over 6 months old and under 9 years old
【application】：03-5432-1526 Setagaya Public Theater
Reservations are accepted until noon three days before the desired date of use, but will be closed as soon as the capacity is reached.Please make your reservation as soon as possible.In addition, please consult about children with disabilities.
Consignment: Kids Room Tinker Bell Sancha
